âWhereâs my mom?â
âNo idea.â
Kira sailed into the kitchen and gave the woman an extra-long hug. âThis is my Aunt Hannah,â she said, beaming at Guthrie as she tried to pry a pecan off the top of the pie.
âStop that,â said Hannah, lightly slapping her nieceâs hand. Removing her sunglasses, Hannah said, âYou can call me Dr. Adler.â
Kira burst out laughing. âRight.â
Assessing Guthrie from head to toe, Hannah added, âJust kidding. You can drop the last name and just call me doctor.â
âIgnore her,â said Kira.
Hannah shrugged.
âDad sent me in here to get some matches. Heâs building us a fire.â
âMy brother, the arsonist,â muttered Hannah.
As they dug through the kitchen drawers, Guthrie edged toward the back door. Once outside, he sucked in a deep breath, thankful to have found a moment alone. The family seemed friendly enough. Still, it was going to be hard being the outsider all weekend.
Stepping down off the back step onto a graveled path, Guthrie walked around the back of the house, where he came upon a broad brick patio nestled up against a rock retaining wall. The outdoor furniture and large gas grill were covered by heavy tarps. Scanning the rear of the property, he was surprised to find Evangeline inside a small fenced-off area about twenty yards to the right of the barn. Rectangular stones stuck out of the ground at odd angles. It appeared to be an old cemetery.
Evangeline stood with her head bowed, arms crossed in front of her, holding a single pink rose. It seemed like such a private moment that he didnât want to intrude, but before he could creep silently away, she looked up and noticed him, motioning for him to come join her.
âYou might as well meet the rest of the family,â she said, watching him with her intense blue-eyed gaze.
He opened the weathered wood gate and stepped up to her. Crouching down, he read the names on the two oldest gravestones. âAdolf Adler, 1892-1951â and âEmma Adler, 1896-1968.â Under Adolfâs name was an inscription:
R EMEMBER ME AS YOU PASS BY,
A S YOU ARE NOW, SO ONCE WAS I ,
A S I AM NOW, SO YOU WILL BE,
P REPARE FOR DEATH AND FOLLOW ME.
How utterly grim, thought Guthrie, though he didnât say it out loud.
âThey were my husbandâs parents,â said Evangeline. âThey bought the land and built the house. Adolf began the local newspaper, a job my husband, Henry, eventually inherited.â
Guthrie examined several more stones, then came to Henryâs, the tallest, made of gray-and-black granite. Henryâs inscription was a quote:
â W HERE THERE IS SORROW THERE
IS HOLY GROUND.â O SCAR W ILDE
Better, thought Guthrie. Some hope in that one.
âHenry and I were married for forty-seven years,â said Evangeline, a sad smile tugging at the corners her mouth. âHe wanted to be buried here, with his parents, but the county wouldnât allow it anymore. The recent stones mark the sites of cremation urns.â
âYou have three children?â
âDouglas is the oldest. Then Hannah. Kevin was my last. Thatâs Kiraâs father.â
âAnd they all still live around here?â
âHannah lives in Eau Claire, but she maintains a small home here. And then, of course, Kira moved to the Twin Cities.â
âDo you have other grandchildren?â
âIâm afraid not. It was a great sadness for all of us when Douglas and Laurie werenât able to conceive. I know it was Laurieâs dream to have a large family.â Transferring her gaze to a crow sitting at the edge of the barn roof, she said, âHard to live a life without a dream. You have one, Guthrie?â
Pushing out of his crouch, he rose up next to her. âI do. Actually, itâs tea.â
âTea?â
âIâm in business with my brother. Weâre importers and own a
Krista Lakes, Mel Finefrock