probably wasnât), like hounds on the trail of a fox.
Vernonâs days (and a lot of his nights) revolved around money. His primary moneymaker was his small investment firm in the City, a âboutiqueâ firm, he supposed it would be called, consisting of himself, his receptionist, Samantha, and his two young assistants, Daphne and Bobby. They watched the daily financials for him, let him know how the market was operating and did some day trading on their own. He had hired both of them more or less off the streets and had never regretted it.
Daphne had appeared to be disoriented when Vernon came across her one day, standing on the corner of Thread-needle and Old Broad Street, just by the Stock Exchange. What he noticed about her was that she just stood there, not joining the foot traffic that crossed one street or crossed the other. She had dark hair, ringlets poking out from underneath a gray wool cap, which fit her head tightly and had two little gray ears sticking up in front. Her curls, her smooth oval face, wide brown eyes andâof courseâthe ears, put her, in Vernonâs estimation, at anywhere between twelve and thirty-two.
Probably she would think he was putting moves on her, but he took the chance, unable to resist both her apparent predicament and the ears on the wool cap. âPardon me, donât think Iâm trying to pick you up or anything, but you seem to be having, well, a difficult time moving. I mean, more than the usual âwhich-street-is-it-I-want?â challenge, and more of a âwhat-city-is-this-Iâm-in?â quandary. I thought perhaps I could assist you.â Vernon went on in this fashion, unable to stop explaining both her difficulty and his proffered role in it. Finally, he just wound down while she stood and stared and the foot soldiers coming from London Bridge flowed all over the place, too many of them, or at least T. S. Eliot thought so.
He even threw T. S. Eliot into the frying pan before he stopped.
She waited, squinting up at him. Then she said, âYouâre finished, are you? Youâre done? This is it for you? Through? Ended? Over? Fini? Itâs a wrap?â
He nodded, started to say something and stopped when she held up her hand. âNo, itâs the rest of the worldâs turn. Around ten miles back you asked me, or I think you asked me, why I didnât go one way or the other. The answer is: one way is like the other, and I donât see the point in choosing. So I canât cross over. Itâs some existential turning point. I canât go either way.â
âUm.â He wondered if he could say something now. Since she hadnât pushed him in the way of an oncoming double-decker when heâd made the um sound, he thought perhaps he could. âHow about not crossing either street?â
âHow aboutâ?â Again she squinted at him, as if finding him harder to believe than a saintâs vision. âExcuse me, but thatâs just what Iâve spent the lunch hour explaining.â
âNo, no. What I mean is, why not just go back?â Vernon looked over his shoulder. âBack along this pavement youâre already on. Thereâs a coffee bar a few doors back and Iâd be happy to buy us an espresso or latteâ.â
She considered. âI hate those drinks. But I could do with some regular coffee.â
âLetâs go.â
They sat at the counter drinking plain coffee, hers with (he counted) five sugars, and Vernon asked Daphne where she lived. âDisneyland?â
âClapham. Same thing.â
âWhere do you work?â
âNowhere. You know that âresting between playsâ that actors do? Iâm resting between tending bar in the George and clerking at Debenhamâs.â
âDo you know anything about the stock market at all?â
âOf course. My portfolioâs split fifteen different ways.â
âIs it the
The Editors at America's Test Kitchen