said. The sex part of her marriage to Mick had been very very wonderful, always. During the months since his death, she had felt as if that part of her had died along with him. She did not want to cheat the man who wanted to marry her. She liked him very much. She liked me equally well. So it had seemed reasonable to assume that if she found she could enjoy sex with me, then she could enjoy it with him. Sorry she had used me in such a cyni-cal way. But she had to make up her mind whether or not to marry him. That was one of the factors. Sorry it had turned into such a dismal trying thing. Sorry to be such a dull mess. Sorry. Sorry.
It is no good telling somebody they're trying too hard. It is very much like ordering a child to go stand in a cor-ner for a half hour and never once think about elephants.
So when she said there was no point in going on with such a stupid performance, I agreed. I let one day, one night, and one day pass. She was embarrassed and de-pressed. That night I began howling and roaring and thrashing at about one in the morning. She came hurrying in and I made it quite an effort for her to shake me awake. I had made certain that it had been such a physi-cal day that she would be weary.
Woke up. Sagged back, deliberately trembling. Said it was an old nightmare that happened once or twice a year, based upon an exceptionally ugly event I could not ever tell anyone, not ever.
Up until then I had been all too competent. Big, knuckly, pale-eyed, trustworthy McGee, who had taken care of things, first for Mick and then for her. Could han-dle boats, navigation, emergencies. So I had presented her with a flaw. And a built-in way to help. She told me I had to tell someone and then it would stop haunting me. In a tragic tone I said I couldn't. She came into my narrower bunk, all sympathy and gentle comfort, motherly arms to cradle the trembling sufferer. "There is nothing you can't tell me. Please let me help. You've been so good to me, so understanding and patient. Please let me help you."
Five years ago, and back then the scar tissue was still thin and tender over the memories of the lady named Lois. There was enough ugliness in what had happened to her to be suitably persuasive. The world had dimmed a little when she was gone, as if there were a rheostat on the sun and somebody had turned it down, just one notch.
I pretended reluctance and then, with a cynical emo-tionalism, told her about Lois. It was a cheap way to use an old and lasting grief. I was not very pleased with my-self for selecting Lois. It seemed a kind of betrayal. And with one of those ironic and unexpected quirks of the emotions, I suddenly realized that I did not have to pre-tend to be moved by the telling of it. My voice husked and my eyes burned, and though I tried to control myself, my voice broke. I never had told anyone about it. But where does contrivance end and reality begin? I knew she was greatly moved by the story. And out of her full heart and her concern, and her woman's need to hold and to mend, she fumbled with her short robe and laid it open and with gentle kisses and little tugs, with caresses and murmurings, brought us sweetly together and began a slow, long, deep surging, earth-warm and simple, then murmured, "Just for you, darling. Don't think about me. Don't think about anything. Just let me make it good for you."
And it happened, because she was taking a warm, dreamy, pleasurable satisfaction in soothing my nightmared nerves, salving the wound of loss, focusing her woman-self, her softnesses and pungencies and opened-taking on me, believing that she had been too wearied by the energies of the day to even think of her own gratifica-tion but unaware of the extent to which she had been sex-ually stimulated by all the times when she had tried so doggedly and failed. So in her deep sleepy hypnotic giving it built without her being especially aware of herself, built until
Elizabeth Amelia Barrington