The Girl in the Glass
a landscaped terrace with faux Greek statuary and a series of waist-high hedges. The room itself was comfortable, not quite as large as we liked but with a nice round wooden table and rafters over which we could toss a line in order to levitate an object.
    Before we began, as Schell lit the candle at the center of the table, Parks made a request. "I don't know if this is possible or warranted," he said, "but, please, Mr. Schell, if my wife tries to…come through, please do everything in your power to prevent it."
    "I understand," said Schell. "Her death is too close to you right now."
    "Something like that," said Parks.
    Schell nodded to me, an indication that I should turn off the lights. This I did while he assumed the mediumistic state. When he went under, so to speak, it was a sight to behold. His entire body trembled, eventually giving way to what appeared to be a kind of living rigor mortis. The eyes turned upward so that the pupils were hidden beneath lowered lids, and his mouth opened wide in a grimace. Parks was entranced by the performance, giving me the opportunity to toss a length of near-invisible thread, a small washer attached to the end to give it weight, up over a rafter. Just as it cleared the beam and began its descent, I took my seat and let loose a string of incomprehensible gibberish. Parks's attention now swung to me, and as it did, Schell caught the end of the line and pulled it down next to him, where it couldn't be detected in the dim candlelight. When Parks turned back to look at Schell, he was again wrapped in his rictus of spirituality.
    Before long, there came from out of the darkness a low murmuring, the candle flickered as if caught in a breeze, and sounds of weeping filled the air. Schell, far more expert at projecting his voice than I, covered the murmuring, and I was responsible for the weeping. Parks looked everywhere, up and down, wide-eyed. When I rapped my toe against the bottom of the table, he nearly jumped out of his seat. Schell lifted his arms in the air and said in a low, croaking voice, filled with urgency, "The gates to the other side open," and a dozen pine whites suddenly appeared between his hands. They swarmed in a chaos of pale, fluttering wings above the table and then made for Parks, who'd already been marked with sugar water. The millionaire panicked and began swatting the air in front of him. Schell then had a chance to slip from beneath his jacket and attach to the end of the line a toy bear we'd picked up at the Salvation Army.
    "Georgie, Georgie," came a voice from above. "It's me, your mother."
    "Mother?" said Parks. "I can hear you." He raked his fingers through his hair, and within seconds his eyes glistened with tears. "Mother," he called, looking around the room feverishly. As Parks looked behind him, Schell blew a few grains of flash powder into the candle flame and there was a tiny, bright explosion in the middle of the table. Parks covered his eyes and when he looked again, the bear hovered in the air five feet above our heads.
    "I've brought your bear, darling," said the ghostly female voice. Parks began to stand, as if to grab for the toy, but I cautioned him, "Remain seated, sir. To touch this apparition could mean your life."
    He sat back down, but his hands remained thrust upward, the perfect image of a child begging to be carried.
    "George, I've been watching you."
    "Yes, Mother," he said.
    "You've not been on your best behavior."
    "I have, Mother. I have."
    "No you haven't. If you lie to me I'll go away."
    "I'm sorry," cried Parks, "please don't leave."
    "Caroline is here with me, George."
    Parks groaned.
    "She said you were unkind to her."
    "I wasn't," he said.
    "Good-bye," said the voice.
    "All right, yes, I didn't like her. She was too…forceful. I'm sorry."
    "That's better, dear. To make up for it, I want you to be kinder to others. Treat the young woman Isabel nicely. She works so hard."
    "I'll raise her salary," said Parks.
    "That's an excellent
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