of the Kula gifts does not in itself ensure that there will be no equilibrium, for, as we have seen, they move but they are also exchanged. Two ethics, however, govern this exchange and both of them ensure that, while there may be a macroscopic equilibrium, at the level of each man there will be the sense of imbalance, of shifting weight, that always marks a gift exchange. The first of these ethics prohibits discussion: “the Kula,” writes Malinowski, “consists in the bestowing of a ceremonial gift, which has to be repaid by an equivalent counter-gift after a lapse of time … But [and this is the point] it can never be exchanged from hand to hand, with the equivalence between the two objects discussed, bargained about and computed.” A man may wonder what will come in return for his gift, but he is not supposed to bring it up. Gift exchange is not a form of barter. “The decorum of the Kula transaction is strictly kept, and highly valued. The natives distinguish it from barter, which they practice extensively [and] of which they have a clear idea … Often, when criticising an incorrect, too hasty, or indecorous procedure of Kula, they will say: ′He conducts his Kula as if it were[barter].′” Partners in barter talk and talk until they strike a balance, but the gift is given in silence.
A second important ethic, Malinowski tells us, “is that the equivalence of the counter-gift is left to the giver, and it cannot be enforced by any kind of coercion.” If a man gives a second-rate necklace in return for a fine set of armshells, people may talk, but there is nothing anyone can do about it. When we barter we make deals, and if someone defaults we go after him, but the gift must be a gift. It is as if you give a part of your substance to your gift partner and then wait in silence until he gives you a part of his. You put your self in his hands. These rules—and they are typical of gift institutions— preserve the sense of motion despite the exchange involved. There is trade, but the objects traded are not commodities.
We commonly think of gifts as being exchanged between two people and of gratitude as being directed back to the actual donor. “Reciprocity,” the standard social science term for returning a gift, has this sense of going to and fro between people (the roots are
re
and
pro
, back and forth, like a reciprocating engine). The gift in the Scottish tale is given reciprocally, going back and forth between the mother and her daughter (until the very end).
Reciprocal giving is a form of gift exchange, but it is the simplest. The gift moves in a circle, and two people do not make much of a circle. Two points establish a line, but a circle lies in a plane and needs at least three points. This is why, as we shall see, most of the stories of gift exchange have a minimum of three people. I have introduced the Kula circuit here because it is such a fine example. For the Kula gifts to move, each man must have at least two gift partners. In this case the circle is larger than that, of course, but three is its lower limit.
Circular giving differs from reciprocal giving in several ways. First, when the gift moves in a circle no one ever receives it from the same person he gives it to. I continually givearmshells to my partner to the west, but unlike a two-person give-and-take, he never gives me armshells in return. The whole mood is different. The circle is the structural equivalent of the prohibition on discussion. When I give to someone from whom I do not receive (and yet I do receive elsewhere), it is as if the gift goes around a corner before it comes back. I have to give blindly. And I will feel a sort of blind gratitude as well. The smaller the circle is—and particularly if it involves just two people—the more a man can keep his eye on things and the more likely it is that he will start to think like a salesman. But so long as the gift passes out of sight it cannot be manipulated by one man or one