already shoved the remains of the bouquet face-down into the starched white case that lined the wicker wastebasket. Gray-green stains spread into the crisp fabric like watercolor blooming on rag paper. Foul water poured from the lip of the vase into the sink in a steady stream.
Then, as the stream subsided, something clinked inside the amber glass.
âWhatâs that?â Clare asked.
Clareâs mother turned the faucet on, ran clean water into the vase, and swirled it around. Then she turned the entire vase upside down.
A small key fell out, bleeding rust into the white sink.
âWhat do you suppose this is for?â Clareâs mother asked, and retrieved it.
Clare knew instantly. The handle of the key was a filigree leaf, its veins described by mottled green metal. The oxidized copper matched the bones of the glass house, and the veins of the leaf followed the same weird patterns as the etching on its door. She didnât answer.
Downstairs at breakfast, Clareâs mother laid the key beside her plate as Tilda set a glass of orange juice down at her place.
âWhere did you get that?â Tilda asked, her voice sharp with surprise.
âWe found it,â Clareâs mother said. âAt the bottom of a vase.â
Her satisfaction at having rattled Tilda was cut short by Tildaâs confiscation of the key. One moment it lay on the table. The next it had disappeared into one of the capacious pockets of Tildaâs apron.
Now it was Clareâs motherâs voice that rose in surprise. âDoes it go to something, then?â she asked.
âThe glass house,â Tilda told her.
âThe glass house?â Clareâs mother repeated. âIs it locked?â
Tilda gave a resolute nod.
Clareâs mother held her hand out, palm up. âWell, Iâm sure weâd love to have the key to it. It looks like a perfect little jewel.â
âWe donât use the glass house,â Tilda told her. âNot for years.â
Clareâs mother lifted her hand higher. âIâm sure we would.â
In answer, Tilda walked to a drawer in the far corner of the kitchen, opened it, and dropped the key in.
Before lunch, Clare had stolen it.
Six
S TEALING THE KEY WAS childâs play.
Every morning after breakfast, Tilda made her rounds of the house with a bark basket of cleaning supplies: lemon oil, bleached rags, and a duster that appeared to be handmade from the green and black feathers of several fancy local chickens.
After Clareâs mother retreated to her own room, where she usually spent the morning with some book, Clare took up a sentry position at the top of the stairs. She waited until Tilda crossed the dining room below and listened as her footsteps faded into the far reaches of the house. Then Clare slipped down to the kitchen. The key was just where Tilda had left it, nestled on a pile of striped dishtowels. An instant later, Clare had hidden it snugly in the sash of her dress.
The whole operation had gone so fast and been so simple that she actually felt a little disappointed. But to get to the glass house without attracting attention was a different challenge.
Clare surveyed the yard through the windows over the garden. The glade of maples around the glass house and the vines that grew over it made the interior invisible from the big house. Once she reached it, sheâd be hidden. But if she approached it directly, down the slope of the back lawn, anybody could see her from any of the back windows. The only concealed approach was through the forest that bounded the backyard and made a sloppy triangle with the road that ran away from the property. The glass house sat in the crook of this triangle. If she cut through the woods, they would screen her until she reached it.
Clare slipped out the kitchen door onto the pebble drive. She loitered along it, feigning interest in the cracked shells among the small gray stones, until it brought her within a