become head of the public prosecutorâs office in Saint-Martin five years earlier and Servaz was sure she did not intend to stop there when she was doing so well: the office in Saint-Martin was too small, too far from the spotlight, for someone whose ambition was as consuming as hers. He was convinced that in the next year or two she would make presiding judge at a more important tribunal.
Now he asked, âWas the body found here, at the power plant?â
âNo,â answered Maillard, pointing to the ceiling, âup there, at the cable car terminus, two thousand metres up.â
âWho uses the cable car?â
âThe workers who go up to maintain the machines,â answered the plant manager. âItâs a sort of underground factory that functions by itself; it channels the water from the upper lake into the three pressure pipelines you can see outside. The cable car is the only way to get up there under normal circumstances. There is of course the helicopter pad â but thatâs only used in the event of a medical emergency.â
âThereâs no path, no road?â
âThereâs a path that goes up there in the summer. In the winter itâs buried under metres of snow.â
âYou mean that whoever did this used the cable car? How does it work?â
âNothing could be simpler: thereâs a key; then you press a button to start it. And another big red button to bring everything to a halt if thereâs a problem.â
âThe keys are kept in a locker, here,â Maillard interrupted, pointing to a metal box on the wall. âIt seems to have been forced open. The body had been strung up on the last support tower, at the very top. There can be no doubt: the perpetrator must have used the cable car to transport it.â
âNo fingerprints?â
âNo visible traces, in any case. Weâve got hundreds of latent prints in the cabin. The samples have been sent to the lab. Weâre in the process of getting all the employeesâ prints to compare them.â
He nodded.
âAnd what was the body like?â
âDecapitated. And dismembered: the skin peeled back on either side like great wings. Youâll see it on the video: a truly macabre sight. The workers still havenât recovered.â
Servaz stared at the gendarme, all his senses suddenly on alert. Even though this was an era of extreme violence, this incident was far from ordinary. He noticed that Captain Ziegler wasnât saying anything, just listening attentively.
âAny make-up?â He shook his hand. âFingertips cut?â
In French police jargon, âmake-upâ meant hindering identification of the victim by destroying or removing anything that could be used for ID: face, fingers, teeth â¦
The officer opened his eyes wide, astonished.
âWhat ⦠you mean they didnât tell you?â
Servaz frowned.
âTell me what?â
He saw Maillard cast a panicked look at Ziegler, then the prosecutor.
âThe body,â stammered the gendarme.
Servaz felt he was about to lose his patience â but he waited for what came next.
âIt was a horse.â
*Â Â Â *Â Â Â *
â A horse? â
Servaz looked at the rest of the group, incredulous.
âYes. A horse. A thoroughbred, probably a year old, according to what we know.â
Now it was Servazâs turn to look at Cathy dâHumières.
âYou made me come all the way up here for a horse? â
âI thought you knew,â she said defensively. âDidnât Canter tell you anything?â
Servaz thought back to Canter in his office and the way heâd feigned ignorance. He knew. And he also knew that Servaz would have refused to come all this way for a horse, since he had the murder of the homeless man on his hands.
âIâve got three kids whoâve murdered a homeless bloke and you drag me up here for a
Clementine Roux, Penelope Silva