which, of course, she was; act, feel, as if the memories belonged not to them, but to two other people someone had once mentioned to her and whose fate was a matter of indifference.
Another solution was to light a cigarette, and Julia did so. The smoke filling her lungs helped reconcile her and lend her a small measure of detachment. She looked at Alvaro, ready to continue.
“What’s your hypothesis then?” Her voice sounded quite normal and that made her feel much calmer. “As I see it, if Preux wasn’t the surname, then the key might lie in the abbreviation AR.”
Alvaro nodded. Half-closing his eyes against the smoke from his pipe, he leafed through the pages of another book until he found a name.
“Look at this. Roger de Arras, born in 1431, the same year in which the English burned Joan of Arc at the stake in Rouen. His family were related to the Valois, the reigning dynasty in France at the time, and he was born in the castle of Bellesang, very near the duchy of Ostenburg.”
“Could he be the second chess player?”
“Possibly.
AR
would be exactly right for the abbreviation of Arras. And Roger de Arras appears in all the chronicles of the time. He fought in the Hundred Years’ War alongside the King of France, Charles VII. See? He took part in the conquest of Normandy and Guyenne to win them back from the English. In 1450 he fought in the battle of Formigny and three years later at the battle of Castillon. Look at this engraving. He might well be one of those men; perhaps he’s the knight with his visor down, offering his horse in the midst of the fray to the King of France, whose own horse has been killed, but who continues to fight on foot…”
“You amaze me, Professor,” Julia said, looking at him with open astonishment. “I mean that picturesque image of the warrior in the battle. You were the one who always said that imagination is the cancer of historical rigour.”
Alvaro burst out laughing.
“Consider it poetic licence, in your honour. How could I forget your fondness for going beyond the mere facts? I recall that when you and I…”
He fell silent, suddenly uncertain. His allusion to the past had caused Julia’s face to darken. Recognising that memories were out of place just then, Alvaro hurriedly back-pedalled.
“I’m sorry,” he said in a low voice.
“It doesn’t matter,” Julia replied, briskly stubbing out her cigarette in the ashtray and burning her fingers in the process. “It was my fault really” She looked at him more calmly. “So what have you got on our warrior, then?”
With visible relief, Alvaro plunged back into familiar terrain. Roger de Arras, he explained, had not only been a warrior, he’d been many other things besides. For example, he was a model of chivalry, the perfect medieval nobleman. In his spare time he’d been a poet and musician. He was much admired in the court of the Valois, his cousins. So the word “preux” fitted him like a glove.
“Did he have any links with chess?”
“There’s no mention of any.”
Julia was taking notes, caught up in the story, but she stopped suddenly and looked at Alvaro.
“What I don’t understand,” she said, chewing the end of her pen, “is what this Roger de Arras would be doing in a picture by Van Huys, playing chess with the Duke of Ostenburg.”
Alvaro fidgeted in his seat with apparent embarrassment, as if suddenly gripped by doubt. He sucked on his pipe and stared at the wall behind Julia’s head, with the air of someone waging an inner battle. Finally, he managed a cautious smile.
“I’ve no idea what he’s doing there - apart from playing chess, that is.” Julia was sure that he was looking at her with unusual wariness, as if he could not quite put into words an idea that was going round and round in his head. “What I do know,” he added at last, “and I know this because it’s mentioned in all the books on the subject, is that Roger de Arras didn’t die in France, but in