feels good. "You're wasting your time," she adds.
Naturally, she's right. I toss the envelope back toward the tree. Behind us, a twig snaps and we both turn around. I don't see anyone, but I can feel a stranger's eyes on me.
"Let's get out of here," I say.
"But the people who're going to pick up the package . . ." I take another glance around the darkness. "To be honest, Nora, I think they're already here."
Looking around, Nora knows something's wrong. It's too quiet. The hairs on my arm stand on edge. They could be hiding behind any tree. On our left, another twig snaps. I grab Nora by the hand and we start walking down the embankment. It doesn't take ten steps for our walk to turn into a jog. Then a run. When I almost trip on a wayward rock, I ask Nora to turn on the flashlight.
"I thought you had it," she says.
Simultaneously, we look over our shoulders. Behind us, at the top of the embankment, is the faint glow of the flashlight. Exactly where I left it.
"You start the car; I'll get the light," Nora says.
"No, I'll get the--"
Once again, though, she's too fast. Before I can stop her, she's headed back up the embankment. I'm about to yell something, but I'm worried we're not alone. Watching her run up the hill, I keep my eyes on her long, lithe arms. Within seconds, though, she fades into the darkness. She said I should get the car, but there's no way I'm leaving her. Slowly, I start heading up the embankment, walking just fast enough to make sure she's in sight. As she gets farther away, I pick up speed. My jog again quickly turns into a run. As long as I can see her, she'll be okay.
Next thing I know, I feel a sharp blow against my forehead. I fall backwards and hit the ground with an uneven thud. Feeling the dampness of the grass seep into the seat of my pants, I look for my attacker. As I prop myself up on an elbow, I feel a slick wetness on my forehead. I'm bleeding. Then I look up and see what put me down: a thick branch from a nearby oak tree. I'm tempted to laugh at my slapstick injury, but I quickly remember why I wasn't looking where I was going. Squinting toward the top of the embankment, I climb to my feet and search for Nora.
I don't see anything. The faint glow of the flashlight is in the same spot, but there's no one moving toward it. I look for shadows, search for silhouettes, and listen for the quiet crunching of broken sticks and long-dead leaves. No one's there. She's gone. I've lost the President's daughter.
My legs go weak as I try to fathom the consequences. Then, without warning, the light moves. Someone's up there. And like a knight with a luminescent lance, the person turns around and barrels straight at me. As the figure approaches, I feel the piercing glow of the light blinding me. I turn away and stumble through the black woods, hands out in front, feeling for trees. I can hear him hopping through bushes, gaining on me. If I drop to the ground, maybe I can trip him up. Suddenly, I slam into a thicket as strong as a wall. I turn toward my enemy as the glaring light hits me in the eyes.
"What the hell happened to your forehead?" Nora asks.
All I can muster is a nervous laugh. The trees still surround us. "I'm fine," I insist. I give her a reassuring nod and we head for my car.
"Maybe we should stay here and wait to see who picks it up."
"No," I say, holding her tightly by the hand. "We're leaving."
At full speed, we race out of the wooded area. When we emerge, I hurdle the guardrail and make a mad dash for my Jeep, which is up the road. If I were alone, I'd probably be there by now, but I refuse to let go of Nora. Slowing myself down, I swing her in front of me, just to make sure she's safe.
The first one to reach the car, she jumps in and slams the door shut. A few seconds later, I join her. Simultaneously, we punch the switches to lock the doors. When I hear that click of solitude, I take an overdue deep breath.
"Let's go, let's go!" she says as I start the car. She sounds