terrorist community was edging toward as a means of avoiding state-led military retribution whenever possible. If authorities could not prove an intentional killing, it was politically difficult to strike back. Yet the result was the same: an enemy was dead. There was a growing demand for Ana’s services, acts that seldom made bold headlines in newspapers and were a blip on the radar of networks and cable news stations.
At times she would render personal service, hands-on expertise, but that always required a substantially higher fee because of the risks involved.
As you might assume, one did not find a listing for Ana Agirre in any phone book or on the World Wide Web. To those who used her services, she was known as “L’architecte de la mort,” “the Architect of Death.” Jobs were always on a referral basis, from those she trusted and who had used her services previously. One always kept a low profile in her business.
She was lean and strong, five foot nine, a little taller than average, a face you would not notice in a crowd, neither ugly nor fetching, a passing figure no one would ever remember. Ana the Architect did nothing to alter this appearance. She wore no makeup, never donned high heels, and wore no jewelry. Her uniform of choice was a dark sweater-jersey, dark slacks, and black flat rubber-soled deck shoes. Nothing expensive or unique with intricate sole patterns. Her hair was cut short in the fashion of early photographs taken of Audrey Hepburn, something that a victim would have difficulty getting a grip on in a frenzied attempt to fight her off—that is, if they ever saw her coming in the first place. Usually she was so quick and agile that all they would catch was a glimpse through glazed eyes of her back as she walked away. It would likely be the last thing they would ever see.
This morning she was busy reading the online version of the San Diego Union-Tribune about an accident near San Diego, California. She sipped her coffee while sitting at one of the outdoor tables at Le Sancerre on the rue des Abbesses in Paris. It was close to the apartment she maintained in the city. She read the scant details on her e-tablet using the portable hot spot in her purse.
“A single fatality, an unidentified woman. The other driver was arrested, believed to have been under the influence of alcohol. The survivor, a man in his twenties, suffered only minor injuries and was taken to a local area hospital for treatment. No identification of the dead driver has been made pending notification of next of kin.”
Ana did not know the dead woman’s name, but she knew she had been murdered. The French mercenaries, a group of high-tech engineers who had constructed the equipment that caused the accident, had told her to watch the news in this part of California, the area around San Diego.
She had seen only digital pictures of the items, including the large rolling case that was highly unique. It was too big to carry on board an airplane, so it had to be checked. They had marked the case with holograms, making it easily identifiable at baggage claim so that no one would carry it off by mistake. You could just grab it and go. They also sent the specs for the equipment.
This was composed of a computer, its software, and a portable satellite antenna dish capable of overriding most of the electronics and computer-driven safety and other features built into late-model passenger cars.
Ana made a down payment on the equipment because she needed it for a job in Europe. It was a highly lucrative contract involving the untimely accidental death of an executive, the managing partner of a large multinational corporation. If the schedule on the contract for the executive was to be maintained, the gentleman was slated to be dead in two weeks. After that, bad things would happen to the people who hired her.
Ana was anxious to get her hands on the equipment and get the job done. However, the French technicians who built the system