want the things they wanted. I didnât value what they valued. And we were all equally sorry to be riding the merry-go-round, and we were all equally at a loss to explain what had happened to us.
T WO P ONIES
IN MAY 1970, a few nights after National Guardsmen killed four student protesters at Kent State University, my father and my brother Tom started fighting. They werenât fighting about the Vietnam War, which both of them opposed. The fight was probably about a lot of different things at once. But the immediate issue was Tomâs summer job. He was a good artist, with a meticulous nature, and my father had encouraged him (you could even say forced him) to choose a college from a short list of schools with strong programs in architecture. Tom had deliberately chosen the most distant of these schools, Rice University, and heâd just returned from his second year in Houston, where his adventures in late-sixties youth culture were pushing him toward majoring in film studies, not architecture. My father, however, had found him a plum summer job with Sverdrup & Parcel, the big engineering firm in St. Louis, whose senior partner, General Leif Sverdrup, had been an Army Corps of Engineers hero in the Philippines. It couldnât have been easy for my father, who was shy about asking favors, to pull the requisite strings at Sverdrup. But the office gestalt was hawkish and buzz-cut and generally inimical to bell-bottomed, lefty film-studies majors; and Tom didnât want to be there.
Up in the bedroom that he and I shared, the windows were open and the air had the stuffy wooden house smell that came out every spring. I preferred the make-believe no-smell of air-conditioning, but my mother, whose subjective experience of temperature was notably consistent with low gas and electricity bills, claimed to be a devotee of âfresh air,â and the windows often stayed open until Memorial Day.
On my night table was the Peanuts Treasury , a large, thick hardcover compilation of daily and Sunday funnies by Charles M. Schulz. My mother had given it to me the previous Christmas, and Iâd been rereading it at bedtime ever since. Like most of the nationâs ten-year-olds, I had a private, intense relationship with Snoopy, the cartoon beagle. He was a solitary not-animal animal who lived among larger creatures of a different species, which was more or less my feeling in my own house. My brothers were less like siblings than like an extra, fun pair of quasi-parents. Although I had friends and was a Cub Scout in good standing, I spent a lot of time alone with talking animals. I was an obsessive rereader of A. A. Milne and the Narnia and Dr. Dolittle novels, and my involvement with my collection of stuffed animals was on the verge of becoming age-inappropriate. It was another point of kinship with Snoopy that he, too, liked animal games. He impersonated tigers and vultures and mountain lions, sharks, sea monsters, pythons, cows, piranhas, penguins, and vampire bats. He was the perfect sunny egoist, starring in his ridiculous fantasies and basking in everyoneâs attention. In a cartoon strip full of children, the dog was the character I recognized as a child.
Tom and my father had been talking in the living room when I went up to bed. Now, at some late and even stuffier hour, after Iâd put aside the Peanuts Treasury and fallen asleep, Tom burst into our bedroom. He was shouting sarcastically. âYouâll get over it! Youâll forget about me! Itâll be so much easier! Youâll get over it!â
My father was offstage somewhere, making large abstract sounds. My mother was right behind Tom, sobbing at his shoulder, begging him to stop, to stop. He was pulling opendresser drawers, repacking bags heâd only recently unpacked. âYou think you want me here,â he said, âbut youâll get over it.â
What about me? my mother pleaded. What about Jon?
âYouâll get over