only of myself and abandon them.
But I don’t go back. I just keep wandering, weaving through the houses in the narrow streets, my fingers loose around my weapon. Tears still burning my eyes.
Nothing tonight makes sense. The kiss after so much longing. My first time past the Barrier and the sense of freedom and desire.
But most of all the Breaker. Her speed. Her ferocity. They taught us about them by comparing them to certain animals, which can sense the gender balance of their environment: If the population in any given area has too many females, most of the next ones born will be males. It’s the only way to ensure they survive.
Same with Mudo: If there aren’t enough Mudo in the area, anyone infected will turn into a Breaker. Otherwise it would be too easy to kill them off. Mudo are only difficult to kill in large populations because one on one they’re too slow. The Breakers, on the other hand, don’t last as long but are much harder to kill in small numbers and can spread the infection rapidly.
Seeing it in person is different from hearing stories about it in school. Seeing someone you know die. Seeing her Return. Seeing her sprint and knowing you’ll never outrun her.
I press my fingers against my eyes, wanting to push hard enough to erase the sight forever.
No one notices me in the chaos and I follow the path past the edge of town and through the trees to the lighthouse, my home with my mother. It sits on the edge of Vista, perched on the tip of the peninsula, away from the other houses and shops of the town. Its bowed wall is flush with the fence that follows the curve of the ocean. I stand and stare at the sweep of its light as it traces through the night, glinting in rhythm with my heartbeat.
Years ago—generations—Vista used to be a more important city, a port for trading. After the Return, as the roads became too dangerous for travel because of the Mudo, more and more people turned to boats and ships. With the lighthouse and small harbor, Vista was connected to the rest of the world. It was a center for news, goods, everything. It was a prize of the Protectorate. Until the pirates began raiding the ships. Until even the ocean became too dangerous.
And now we’re nothing but a light on the shore, spinning for no one.
The windows are dark and hollow and I can feel the emptiness of the house from here. My mother must still be at the weekly Council meeting. I know I should go inside and close myself up in my room. She’d be worried thinking I’m outside while the alarm bells ring but there’s no danger here. It’s in the ruins, in the amusement park that feels so far away.
I skirt around the house and through the fence down to the ocean, not ready yet to go inside. The tide is creeping in, adangerous time to be around the waves that may wash Mudo against the beach. But still I stand there and stare out into the blackness. I sense more than see the shudder of the light sweep high above me, illuminating nothingness.
Growing up, I used to stand here with my mother. She would stare at the horizon as if it were an impossible forever. As if it called to her, always needing her. But she would never go. She had a little sailboat she would tempt the waves with every now and again. I’d overheard whispers in the town about my mother—how they thought she was crazy for bothering to leave the shore.
Their words would cause my cheeks to burn. I was fiercely proud of her when I was a child, how she would do things no one else dared. Regardless of what people said, she’d bob out past the waves in her little boat, me on the bow and her at the rudder. There were times when I wondered if she would unfurl the sail and just keep going past the horizon. But she always turned back.
And as I got older and learned the risks she was taking, my face would heat with embarrassment that my mother was so different. That she didn’t fit into the town. They didn’t understand why she acted so recklessly. I refused to