away from Boyd.â
Graecen registered a rather fussy interest. Boyd was a friend of his. He was wondering how much he should tell Hogarth. âBoyd wants me to do the preface for his book on psychoanalysis and art. He takes both seriously.â Hogarth sounded gloomy and irritable. âThe book is farcical. There is an analysis of Poeâs Raven which would make your hair stand on end. You know the Freudian tie-up between the symbol of the bird and the penis?â Graecen did not, but he blinked and nodded rapidly, moistening his lips with his tongue. âWell, the Raven with its mournful âNevermoreâ is a terrible confession of Poeâs impotence.â Graecen said âDear meâ twice, with sympathy. He knew nothing about psycho-analysis, but he could never bring himself to be disrespectful about anything. Hogarth lit up with seven gargantuan puffs. âHe has traced a strong interest in masturbation running through Dickens; the choice of names like Mr. Pickwick and Sam Weller are only thinly disguised symbols ⦠Dicky, whatâs the matter?â
Graecen felt suddenly unhappy again; he had remembered the sentence. âIâve resigned from the Antiquities,â he said in a small voice. He had a desire to confide a number of things in Hogarthâamong them even old Conklinâs article; but they had all got jammed together at the entrance of his mind and he did not know which he could get out first. His face looked round and ingenuous. His lower lip trembled ever so slightly.
âYouâre run down,â said Hogarth.
Graecen nodded and handed the paper across the table to his friend, pointing with his finger to the offensive passage in the review; yet before Hogarth had time to read it he added, rather out of breath, âIâm supposed to have only a few months to live.â It sounded absurd. They looked at each other for a second and both laughed, Hogarth gruffly and Graecen in a high boyish register.
âOf all people, me,â he said, suddenly feeling almost jubilant.
âI donât believe it.â
âOh yes, itâs true,â said Graecen eagerly. He was all of a sudden anxious that the trophy should not be taken from him by mere scepticism.
âOf all peopleâme. Dicky Graecen.â He had the rather irritating habit of objectivising himself in the third person, as children do. âSo what does old Dicky Graecen do?â was a phrase that appeared unfailingly in all his stories of his own doings. He saw himself, as he said it, childishly far-off and remote, as a sort of wayward young man. Young Dicky Graecen. In this case it was young Dicky Graecen who was going to do the dyingâhe himself, his alter self, was going to live forever; well, if not forever, for at least another fifteen years. By association this brought him back to Syrinx .
âMy new book is out,â he said with a certain pleasant coyness, flushing again. Hogarth looked at him steadily, his eyes still laughing. Whatever happened to Dicky was funnyâeven the idea of him dogged by a premature death-sentence was funny. Oneâs compassion was stirred for him through oneâs humour. He was holding up the book of poems for inspection.
Graecen never sent Hogarth his books because the latter professed no interest in poetry or the fine arts. Hogarth however always sent him his own books, however ponderous and smudgy they were. On the flyleaf he always wrote âDickyâpush this round among the nobs. Good for trade.â
Graecen felt faintly irritated by this suggestion, that he was, at best, a social tout for Hogarthâs clinical work; but the long friendship and affection, dating back to their university days, always won the upper hand, and he swallowed his chagrin.
âThere is no reasonâ, said Hogarth turning over the book in his paws, âwhy you shouldnât die. All of us will have to. And Iâm not sure I