The Cure of Souls
wisest analogy to hang on Lol who, in his late teens, had seen his parents find religion, watched them being swept away on waves of foaming fundamentalist madness, causing them to reject the Godless kid playing the devil’s music – the kid who would always remember coming home one weekend to find that those two small mantelpiece photos of himself as a toddler had been replaced by framed postcards of Jesus. Which was probably how it had started – the alienation.
    And then – in just this last year – a surprise development. Lol’s fear and resentment of the Church had been fatally compromised by encounters with a priest called Merrily Watkins who lived and worked, as it happened, less than twenty miles from here… but if this was another reason for coming back to Herefordshire he wasn’t going to admit it, least of all to himself. Their last meeting had followed events so dark that maybe she wouldn’t want to be reminded.
    He felt a sharp pain below his knee and stopped, feeling suddenly out of breath. He realized he’d been running, like he sometimes did to try and overtake a dilemma, to put an impending decision behind him. He must have veered from the path and now he was in the middle of an unknown wood and there were brambles tangled around his legs.
    Wrong turning, somehow. It was easy enough to do, even in the daytime, even in countryside you thought you knew. In the middle of this unknown, unmanaged wood, snagged with hawthorn, he heard his T-shirt rip, and he stood there, shaking his head.
    Lost again. Story of his life.
    Knight’s Frome was a scattered hamlet with no real centre, so it wasn’t as if he could look around for a cluster of lights. Or even listen for the river. All he could hear was the humming: a plaintive sound that rose and fell and pulsed as if a melody was trying to escape.
    Lol turned, walked back the way he’d come, putting a hand up to his glasses, pushing them tight onto the bridge of his nose; losing your specs was not something you did in a wood at night. When he took his hand away, he saw the trees and bushes had fallen away and there was now a clear space up ahead. A small yellow light appeared, not too bright, a little unsteady, with a black cone above it: a witch’s hat. The kiln tower again.
    When the sky was clear of branches, a trailing scarf of brightness told him which direction was north… and then it was suddenly split by something black and rigid that made him reel back, startled. He slipped and stumbled, went down on one knee before it – waiting for the thing to move, bend down, snatch him up, hit him.
    Nothing moved. Even the humming had stopped. Lol scrambled warily to his feet.
    It was only a pole, half as thick as a telegraph pole, but not tall enough to carry telegraph wires or electricity cables – although it did support wires of some kind. To avoid it, he took a couple of steps to the right. No trees or bushes stood in the way and the ground was level.
    A second black pole appeared, rearing hard against the northern sky, and this one had a short crosspiece like – his first thought – a gibbet. From it hung something limp and shrivelled, the skeletal spine of a dead garland; when he passed between the two poles, his bare elbow brushed against the remains with a dry, papery crackle.
    Now he could see the extent of it: dozens of black poles against the pale night, in lines to either side of him across the barren ground, most of them with crosspieces, some connected by dark wires overhead. It was like a site laid out for a mass crucifixion. Between the wires, he could still see the yellow kiln-house light,perhaps two hundred yards away. And the nearness of the kiln told him what this was… or
should
have been.
    It was high summer and these poles should be loaded with foliage, the ripening bines high on the wires, rippling with soft green hop-cones. But this whole scene was in black and white and grey, and there was an awning of silence: no owls, no
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