reassert his freedom. This was how he had approached work, society, dabbling in agriculture, music (which for a while he had thought of devoting himself to), and even the love of women, in which he did not believe. He thought a great deal about where he should direct the power of youth that is granted a man only once in a lifetime. Not the power of mind, spirit, or education but the power to make of himself and of the whole world whatever he wants. Should he direct this power toward art, science, love, or toward some practical venture? There are people who lack this drive, who the moment they enter life slip their heads beneath the first yoke that comes their way and diligently toil beneath it to the end of their days. But Olenin was too aware of the presence of the all-powerful god of youth, the capacity to stake everything on a single aspiration, a single thought, the capacity to do what one sets out to do, the ability to dive headfirst into a bottomless abyss without knowing why or what for. He bore this awarenesswithin him, was proud of it and unconsciously pleased with it. Until now he had loved only himself and could not do otherwise, because he expected nothing but good. He had not yet had time to be disappointed in himself. Now that he was leaving Moscow he was in that happy, youthful state of mind in which a young man, thinking of the mistakes he has committed, suddenly sees things in a different light—sees that those past mistakes were incidental and unimportant, that back then he had not wanted to live a good life but that now, as he was leaving Moscow, a new life was beginning in which there would be no such mistakes and no need for remorse. A life in which there would be nothing but happiness.
As always happens between the first two or three post stages during a long journey, one’s imagination lingers at the place one has left, but then suddenly, as one wakes up on the first morning on the road, one’s imagination shifts to the journey’s end, where it builds castles in the air. This is how it was with Olenin, too.
Outside Moscow, he gazed at the snow-covered fields and was happy that he was alone in the vast expanse. He wrapped himself in his fur, lay down in the bottom of the sleigh, calmed down and, no longer agitated, began to doze. The farewells had shaken him, and he thought of the past winter he had spent in Moscow. Images interrupted by vague thoughts and reproaches began springing up in his mind despite himself. He remembered the friend who had seen him off, and his affection for the young woman they had spoken of. She was rich. “How could he love her, in spite of the fact that she loved me?” he wondered, and a nasty suspicion came into his mind. “There seems to be a lot of dishonesty in people. But why have I never loved?” he asked himself suddenly. “They keep telling me that I have never loved. Can it be that I am some sort of moral cripple?” And he began thinking about his past infatuations. He remembered the sister of one of his friends in the days when he first entered society. He had spent many evenings sitting with her at a table, a lamp lighting the lower part of her delicate face and her slim fingers at their embroidery. He remembered the long, faltering conversations, their awkwardness in each other’s presence, and the unease and persistent annoyance he felt in the face of this awkwardness. An inner voice kept saying: “This isn’tquite right, this isn’t quite right.” And it wasn’t. Then he remembered a ball, and a mazurka he had danced with the beautiful D. “I was so much in love that night! How happy I was! And how ill and vexed I was the next morning when I woke up and realized I felt completely free! Where is love? Will it not come and bind me hand and foot?” he thought. “No! Love does not exist! The young lady next door, who told me that she loves the stars in the sky, which she also told Dubrovin and my bailiff, was also ‘not quite right.’” Olenin