dusky light, with a public fountain in the center and a few large, but very plain, buildings around the sides. One of these was all lit up, with hundreds of men trying to get in the doors. Quite a few of them were slaves, but there were many members of the ocak, too, as well as the usual Algerine assortment of Berbers, Jews, and Christians. As they came up against the fringes of this crowd, Moseh de la Cruz stepped aside and allowed the Spaniard to lunge past him, suddenly bellowing every vile insult Jack had ever heard, as well as diverse new-made ones, and jabbing various large, heavily armed Turks in the ribs, treading on the curly toes of their slippers, and kicking them in the shins to clear a path towards the building’s entrance. Jack expected to have his head scimitared off merely for being in the general vicinity of this uncivil Spaniard, but all the victims of his jabs and insults grinned and laughed the moment they recognized him, and then derived all manner of entertainment from watching him assail whomever stood in his path next. Moseh and the others, meanwhile, followed along in his wake, so that they arrived at the front door quickly—yet apparently none too soon. For the Turks standing guard there spoke angrily to Moseh and the others, pointing at the western sky, which had faded to a deep and nearly invisible blue now, like candle-light trying to penetrate aporcelain saucer. One of the guards slugged Dappa and the Nipponese Jesuit as they went by, and aimed a blow at Jack, which he dodged.
Moseh had mentioned to him earlier that they lived in something called a banyolar and Jack reckoned this must be it: a courtyard surrounded by galleries divided into many small cells, one ring of galleries piled upon the next to a height of several storeys. To Jack, the overall design was much like certain old-fashioned theatres that stood along Maid Lane between the marshes of Southwark and the right bank of the Thames, viz. the Rose, the Hope, and the Swan. The big difference, of course, was that those Bankside theatres had armed men trying to keep Jack out whereas here they were abusing him for not having entered soon enough.
This, of course, was no theatre, but a slave-quarters. And yet the galleries, up to and including the flat roof of the banyolar, were crowded (at the moment anyway) with free Algerines, and so was most of the courtyard. But one part of that yard, off to one side of its central cistern, had been roped off to form a stage, or ring; and any number of torchères had been planted around it, so close to one another that their flames practically merged into a square window-frame of fire that shed fair illumination on the empty plot in the center.
All of the Turks packed turban-to-turban around the galleries were very excited, and rowdier than any group Jack had ever seen outside of a Vagabond camp. When not jostling for position or transacting elaborate wagers, they were paying close attention to certain preparations underway at the corners of the ring. As far as Jack was concerned, only two attractions could account for this degree of excitement among so many young men; and since sex, for Janissaries, was banned, Jack reckoned that they must be about to witness some form of violence.
Following Moseh towards one of the corners of the fiery square, Jack was struck—but not particularly surprised—to discover Yevgeny, stark naked save for leather underpants and a thick coating of oil, and Mr. Foot, dressed up in scarlet finery and shaking a leather purse bloated with what Jack could only assume was specie. But before Jack could push his way in closer and begin asking questions, Yevgeny went down on his right knee: in and of itself, nothing remarkable. But here it was like setting off a granadoe. Everyone near him flung himself back, making an empty space with Yevgeny in the center. The crowd in the gallery went silent for a moment—then exploded with cheers of “Rus! Rus! Rus!”
Yevgeny spread his