by a great man to be talked to. âI canât help thinking,â L. said, âthat you donât understand the position.â He smiled deprecatingly at his own statement, which might sound impertinent after two years of war. âI mean â you really belong to us.â
âIt didnât feel like that in prison.â
The man had an integrity of a kind: he gave an impression of truth. He said, âYou probably had a horrible time. I have seen some of our prisons. But, you know, they are improving. The beginning of a war is always the worst time. After all, it is no good our talking atrocities to each other. You have seen your own prisons. We are both guilty. And we shall go on being guilty, here and there, I suppose, until one of us has won.â
âThat is a very old argument. Unless we surrender we are just prolonging the war. Thatâs how it goes. Itâs not a good argument to use to a man who has lost his wife . . .â
âThat was a horrible accident. You probably heard â we shot the commandant. What I want to sayâ â he had a long nose like the ones you see in picture galleries in old brown portraits: thin and worn, he ought to have worn a sword as supple as himself â âis this. If you win, what sort of a world will it be for people like you? Theyâll never trust you â you are a bourgeois â I donât suppose they even trust you now. And you donât trust them. Do you think youâll find among those people â the ones who destroyed the National Museum and Z.âs pictures â anyone interested in your work ?â He said gently â it was like being recognised by a State academy â âI mean the Berne MS.â
âIâm not fighting for myself,â D. said. It occurred to him that if there had not been a war he might have been friends with this man. The aristocracy did occasionally fling up somebody like this thin tormented creature interested in scholarships or the arts, a patron.
âI didnât suppose you were,â he said. âYou are more of an idealist than I am. My motives, of course, are suspect. My property has been confiscated. I believeâ¯â¯â he gave a kind of painful smile which suggested that he knew he was in sympathetic company â âthat my pictures have been burnt â and my manuscript collection. I had nothing, of course, which was in your line â but there was an early manuscript of Augustineâs City of God  . . .â It was like being tempted by a devil of admirable character and discrimination. He couldnât find an answer. L. went on, âIâm not really complaining. These horrible things are bound to happen in war â to the things one loves. My collection and your wife.â
It was amazing that he hadnât seen his mistake. He waited there for D.âs assent â the long nose and the too sensitive mouth, the tall thin dilettante body. He hadnât the faintest conception of what it meant to love another human being. His house â which they had burnt â was probably like a museum, old pieces of furniture, cords drawn on either side the picture gallery on days when the public were admitted. He appreciated the Berne MS. very likely, but he had no idea that the Berne MS. meant nothing at all beside the woman one loved. He went fallaciously on, âWeâve both suffered.â It was difficult to remember that he had for a moment sounded like a friend. It was worth killing a civilisation to prevent the government of human beings falling into the hands of â he supposed they were called the civilised. What sort of a world would that be? a world full of preserved objects labelled âNot to be touchedâ: no religious faith, but a lot of Gregorian chants and picturesque ceremonies. Miraculous images which bled or waggled their heads on certain days would be preserved for their
Jonathan Strahan; Lou Anders
Heather Killough-Walden, Gildart Jackson