mouth. He was not unthoughtful.
âItâs easy for you to be good boy,â he said. âYou are alone. Nobody cares if you do Internet porn or get drunk.â
âDâyou really want to know what I thought of your concert?â
Vadim swigged at his beer.
âNobody else will say this to you.â
The Russian suddenly lunged forward and grabbed Philip tightly by the hand. âYouâre so marvellous, so happy, such wonderful pianist. Tell me the secret of how to live my life.â He squeezed harder.
Philip stared at him, his hand trapped.
âYou were a god in the first half, and a charlatan in the second.â
Vadim released the hand and flung himself back in his chair. He glowered for a moment.
âGood, I have range at least.â
âYouâre ruining a great career.â
âIâm bored.â
âIf thatâs boring, youâre in deeper shit than I thought.â
Vadim cracked a poppadom and flicked on some lime pickle. âDeep shit is quite interesting. You should try it. Because, Philip, you have to live. Even if itâs a mess. Monks do not make virtuosi.â
âYouâre brilliant, but not great, Vadim. Greatness has to be earned the hard way.â
âGreatness is given by God. Not earned by sad workaholics.â
âPractice, reflection, dedication.â
âIâm not a priest!â He was suddenly outraged. âIâve been to hundred boring concerts by good-boy pianists who respect their teachers and think composers are gods. They get on and off planes. Check into hotel, play Chopin Ballade for millionth time, same boring interpretation, same reverence for music.â He raised his voice. âMusic does not come from this treadmill. Music comes from excitement, madness, energy. Not how much hours you practise. Not how humble and well behaved you are. Donât believe this German bullshit propaganda!â
â You complain about boring concerts. Youâve just given one!â
He waved it off. âIf I want to, I play better. I donât want to, but for your relationship with John Sampson I do a big favour.â
Philip was offended. âWhat about poor old Chopin? You didnât do him a big favour.â
â I sacrificed my childhood for dead men like Chopin. I donât owe him anything.â
âEmotional negativity is affecting your playing. Youâve stopped feeling tenderness, love, happiness. It shows.â
âIâm bored. You are boring now. You are giving boring conversation.â
âYour lack of empathy for people is reflected by a lack of empathy for music outside the Russian tradition.â
âI take the train back.â Vadim made to rise.
âWhat!â
âI am not your student.â
Philip was startled. âDonât be ridiculous! Weâre having a conversation.â He reached over to grab his forearm but Vadim pulled back. âYouâre going to end up like me if youâre not careful. Solitary and middle-aged and . . . Sit down!â
âYouâre jealous.â
âWhat!â
âAlways I have jealous friends. They want me to do this, that, how best I should live, play the piano, what to do with my talent. Nobody plays these pieces like me. Maybe two other pianists in the world.â
Philip stared at him in disbelief.
âNobody can tell me where to go. How to live my life. I donât have to obey the rules for depressed English pianist.â
Philipâs heart pounded. He felt the hostile force of Vadimâs self-confidence.
âTo hell with your morals and your advice.â
âListen to me . . .â
â Iâm not listening to you.â
Vadim pulled away, tossing the napkin down. âPhilip, stop telling other people how to live. Get a life yourself.â
He pulled some banknotes from his pocket and left them on the table.
âWhere are you going?â
â