indeed, and according as you are for or against the tendency of the universe, is encouraging or terrifying. But it is fatal and inexorable. Perhaps to say that is to say enough!”
“Explain what you mean.”
“A little while ago,” replied the old mystic, “he came here to play chess with me—you remember; you were there, the day of your return. Well, I mastered his mind; I saw its limitations; I mapped its roads; I measured its heights and depths; I calculated its reactions. I beat him easily, at odds. We then began to talk of the Marsden mystery, and I analyzed the mind of the man who killed Mrs. Robinson—a mind like his own. I showed that the coincidence of dates was probably a deliberate false trail. I then asked who would be likely to think of such a point, who would have vivid reason to think of that date. I was speaking in perfectly general terms; no suspicion of him had crossed my mind. He instantly suggested himself. I knew how he played chess: so I knew that he must have had himself in view subconsciously; that he must be trying to put me off the scent by bouldness. It was just the same type of tactics as choosing the anniversary of the first murder. From that instant I knew that he was guilty.
“A moment later he confirmed me. I suggested that a man like himself might kill for such a motive as pride; and he replied that he took pride in the administration of justice. Now after that libel action, and coming from such a man, the English hypocrisy, which might have been natural in a lesser man, was a complete confession. Therefore I determined to punish him. I knew there was only one way; to work upon his mind along its own lines. So I said to him: “Suppose the murderer realizes that there are intellects superior to his own? And —how will he sleep, knowing that there are people who will murder others in their sleep without reasonable cause? You know the answer. I suppose that I am in a sense the murderer of his reason.”
Flynn said nothing; but his eyes were streaming; he had loved Dick Ffoulkes dearly, and a thousand memories were urgent in his heart and mind. Iff seemed not to notice it.
“But the murderer of Marsden is still a mystery. Ffoulkes can hardly have done that.”
Flynn sat up and laughed wildly. “I’ll tell you all about that,” he cried. “Ezra Robinson did it, with the help of the floor clerk. They were to meet on the anniversary of the murder. I tracked them down, and I hanged them with these hands.” He stretched them out in a gesture of agony. The old man took them in his.
“Boy!” he said, “—for you will never grow up—you have perhaps erred in some ways—ways which I find excusable—but you need never lose a night’s sleep over this business.”
“Ah!” cried Jack, “but it was I who tempted my friend—it was a moment of absolute madness, and now I have lost him!”
“We are all punished,” said the old man solemnly, “exactly where we have offended, and in the measure thereof.”
The Artistic Temperament
I
Jack Flynn was the centre of a happy group of artists. They were seated upon the terrace of the Café d’Alençon to drink the apéritif; for although November was upon Paris, the Sun still remembered his beloved city, and fed it with light and warmth.
Flynn had come over from London for a week to see the Autumn Salon, and to gossip with his old friends. The conversation was naturally of Art, and, like the universe itself, had neither beginning nor end, being self-created by its own energy, so rolled easily through the Aeons in every combination of beauty.
But half of beauty is melancholy, a subtle subcurrent of sadness; and on this particular occasion it was visible, giving a grey tone to the most buoyant rhapsodies. The talkers were in fact subdued and restrained; each spoke gaily, yet stood upon his guard, as if there were some subject near his consciousness which he must be careful not to broach.
It was a curiously distinguished group.