to collapse, but doesn’t.
Mama?
She shakes her head, looks down.
Henri rushes towards the sea but his sister grabs his hand and his aunt pulls him into her arms, holding him through his cries.
Overhead the comet continues on its journey, speeding towards the sun before circling round to race away. It travels from light to dark, from intense heat to the frozen edge of the solar system, until reaching its limit half a century later and turning, again, towards the warmth.
1986
Halley’s Comet
THE FAIR ARRIVES OVERNIGHT ; TRUCKS and lorries and motorbikes moving snake-like through the high street, a multi-parted centipede of bright red and yellow, sparkling silver and plastic creatures and scenes of snow and forest and the Wild West.
They set up during the day, the carousel, the twirly thing with swings that Róisín doesn’t know the name of, the rotor that spins so fast you can stay suspended against the walls after the ground disappears from below your feet.
And that evening they open, and all the town arrives, and suddenly there are more people on the green than there have ever been. Róisín’s there with girls from school, all short skirts and coloured tights and trainers, jumpers that stop at their midriffs and hair blowing crazy wild in the wind. Róisín’s in skintightjeans, DM boots, silver hoop earrings that jangle down to her shoulders and catch the moonlight when she scoops back her dark hair.
Is your cousin coming? they ask, all giggles; Liam has become the boy they want to impress.
Róisín shrugs as if she thinks their latest crush is absurd, as if she couldn’t care less, but she scans the crowds as they move through the rides, past stalls, as they take turns to form a protective circle so one by one they can sip cider from the bottle concealed in her friend’s bag. And at the same time, she is somewhere else, she is above the clouds, waiting for Halley’s comet to get closer; and for Liam to find her.
From the big wheel there’s a view over the trees, past the school, over fields and woodland and all the way to the farm; she thinks she can make out the sheds and stalls even in the dark, even with the fairground lights casting the rest of the world in shadow. Some kids in the carriage behind are swinging as hard as they can, screaming as they nearly overturn, almost make a full three sixty. Róisín doesn’t do that. She lets the carriage rock slowly in the wind and enjoys the world getting smaller beneath her.
As she gets down she nearly trips on the metallic slats they use for steps but Liam catches her arm, steadies her.
Didn’t think you were going to come, she says.
His hand stays on her elbow for a moment.
We all make sacrifices.
His face is serious but his eyes dance.
Want to go on the rotor?
She steps closer, lets her hand brush against his leather jacket, enjoys the way he is so much taller than her now; and without taking his hand she leads him through the queues to theonly ride she really wants to go on, the only ride she thinks he might enjoy.
Just this one, she says, then we can get out of here.
A smile is playing about his lips; they know each other so well.
He hands two tokens to the girl by the entrance and they step inside.
There are ten of them in the circular room painted red and silver. She recognises another boy from the year below at school, smiles at how young he looks compared to Liam, how Liam already seems too old for this scene. Then at the last minute Rachel comes in as well, waves at Róisín from the opposite side of the circle, although it’s Liam she’s staring at – trying to get him to notice her – but then they all go quiet and wait for the room to move and the floor to drop.
It starts slowly; someone laughs to break the silence but not Liam or Róisín, they are both waiting for the world to spin. They put their hands flat against the curved wall behind them, close to one another but not touching. Liam looks at the ground beneath their