The Colossus of New York
announcer’s union will be exposed and that will be the end of the hot tubs and lobster, but until then they break out the bubbly. Look down the tunnel one more time and your behavior will describe a psychiatric disorder. It’s infectious. They take turns looking down into darkness and the platform is a clock: the more people standing dumb, the more time has passed since the last train. The people fall from above into hourglass dunes. Collect like seconds.
    THERE’S A CULTURE for platforms and a culture for between stations. On the platform there are strategies of where seats will appear when the doors open, of where you want to be when you get off, of how to outmaneuver these impromptu nemeses. So many variables, everyone’s a mathematician with an advanced degree. Wait. Those elephantine ears of hers. Does she know something he doesn’t, she’s moving closer to the edge, and then he hears the roar, too. The herd trembles, the lion approaches, instincts awaken. The jaws slide apart and the people step inside. Various sounds of gorging.
    WHICH CAR will you choose. Take your pick. In the happy-go-lucky car the wattage of their smiles brightens the tunnels. In the no-particular-place-to-go car they are recumbent. In the going-to-be-late car the grimace festival is in full swing. In the had-a-long-day car there are no seats. So again we must ask, which car will you choose. Dilemmas escalate. Can I make it to the seat before she gets there. Their eyes meet and they calculate distance. Stared down once again he gives up, such is his lot, and he leans against the conductor’s door. At the next station the conductor has to shove against to get out.
    LET ’EM OUT, let’em out. From stop to stop oblong advertisements suddenly get interesting in a strange sort of way. Along the fungi hall of fame we are introduced to ailments. Has anybody ever in history copied down the phone number of the dermatologist with the sinister name. After all these years he still hopes the needy will receive his revolutionary technique but for now must make do with these flimsy cardboard advertisements. You are inducted. Advertisements that meant nothing to you last week are now your last hope. Look above their scalps. That is salvation up there and maybe a poem.
    ONLY AFTER a while does he notice her and give up his seat to the elderly lady. The pregnant lady, the man with the leg injury. His unfortunate good manners. Scootch over. Scootch away from the smelly wino. It’s just a piece of candy wrapper but no one touches it for fear that it contains the world and so one empty seat on the crowded subway car. Spying an empty seat but when you get there soda sloshes. At the next stop someone sits in it and he feels bad for not warning him but that’s not his job really. Realization drains into the man’s face as the soda leaks through: now there are two seats wet. A vehicular library. Bibles and bestsellers keep away the other citizens’ faces. Newspapers in foreign languages cater to communities. Accidentally touch the underside of the seat and become an advocate for stricter gum laws. Halfway to the interview she notices two typos in her résumé. The man on her right snoozes amid the jolts and leans his head on her shoulder as if he sensed her angelhood. Too polite, she resorts to ineffectual nudges. It’s kind of funny, actually. The woman across the car smiles at her plight. At the next station he awakes mysteriously and bolts.
    DO NOT hold the doors, do not lean against the doors, the doors are not your friend. If you want friends start a club based on mutual interests, do not come into the subway. He is perfectly attired save for his socks, which mark and doom him when he crosses his legs. The homeless man hopes the next car will be more generous. The musician with the broken trumpet irritates. People examine the scuff marks on their shoes when he walks by with his cup. You reach into your pocket for change but forgot you used it on that
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