interpret omens. We take no public and few private actions without consulting the auguries and the haruspices. When all else fails, we will consult the Sibylline Books, for which we maintain a college of fifteen men who are empowered to look into them in times of national danger. Besides these more serious matters, the people of Rome, from Consuls to slaves, are mad for omens, which they will find in every imaginable place and circumstance.
Birds, lightning, storms, odd things falling from the sky, monstrous births, all are noticed, remarked upon and interpreted to signify something or other, from the loss of one's lover to a military disaster overseas. When these natural phenomena are not enough, fabricated omens must suffice. Statues speak or turn their heads, nanny goats give birth to lion cubs, gods appear to shepherds on hillsides, voices come from the sea, dead snakes prophesy from within golden eggs--the list is endless.
And yet, in all my life I had never encountered definite evidence that any of this was true. Any time I have spoken of this, I have been told that it is churlish to expect anything so mundane as evidence or proof in matters of this sort. A few philosophers have told me that certain of the Greeks had a belief that one arrived at the truth by examining evidence and drawing conclusions therefrom, but these had never gained much of a following. Even so, I have always been impelled to look into things, to examine evidence and find the truth. To snoop, as my father used to say when he was displeased with me. It got me into a great deal of trouble, and it was about to again, soon after this memorable night.
Back at my place at the long table, I saw that the servers had brought out a concoction that was meant to depict the sea monster Scylla reaching for the ship of Ulysses. After some consultation with Catilina and the diner to my other side, a
quaestor
named Vatinius, who was in charge of preventing precious metals from leaving Italy, we decided that it was made of lampreys boiled in squid ink. I decided to restrain myself and wait until the next course. I have never been hungry enough to enjoy lampreys, in or out of ink.
It was not a long wait. To my great delight, the next course consisted of African gazelle, grilled over charcoal made from the thorn wood of its native land (the server assured us of this). The nautical reference in this case was an obscure one, concerning a Babylonian god or perhaps goddess. I have never been able to make much sense of the eastern mythologies, nor ever seen much sense in attempting to. Whatever the divine connection may have been, the meat was delectable. Catilina spoke with great authority on the subject of this animal, its habits and the best ways to cook and eat it, claiming to have learned these things as
Propraetor
in Africa three years before. We were pleasantly, tipsily engaged in discussing this creature and how best to devour it when I saw Catilina turn pale beneath his red complexion, his eyes turning to agate. I followed the direction of his alarming gaze and saw, weaving among the tables, servers and entertainers, none other than Publius Clodius. He hadn't always been Clodius, naturally. He had started out as Publius Claudius Pulcher, scion of one of the noblest of the patrician families. But he had chosen to throw in his political lot with the
populares
, and so had decided to use the plebian form of his family name.
"He must be incredibly drunk to show his face here," I noted. As Lucullus's legate in Asia, Clodius had stirred up a mutiny among the general's own legionaries. Then he deserted and joined the army of Marcius Rex, who waited outside the walls along with Creticus.
"Who knows?" said Vatinius. "He might have been invited. He's the
triumphator's
brother-in-law, after all. And another sister is married to the
Praetor
Metellus Celer. I hear Celer's wife is calling herself Clodia now, like her brother."
"Another knucklebone," I said.
"What's