Tags:
Literary,
Coming of Age,
History,
Family,
Novel,
Brothers,
maryland,
Alabama,
growing up,
class,
Race,
baltimore,
socioeconomic,
NAACP,
civil rights movement
mustache tending it, two women carrying full bags of groceries. Does Henry Lee get new toys every single day of the year?
âThatâs Alice May Turner, not at all to be confused with Lucille Furman.â Alice May the class slut whose dad had her first. Everyone made fun but I felt bad for her. She didnât come back to school this year, left town to have a baby according to the grapevine.
âBoth of em.â
âHow do you know ?â
â Every one knows. Okay, that carâs Jack feelin up Millie, and this other one just gets stalled. Jackâs like, âWhat gives?â Millie: âWhat are you, a Peepin Tom?â She yells this to the other car, this other couple.â Henry Lee thinks hard about the casting of this new pair. Lightbulb. âEarl Mattingly and Margaret Laherty!â
âWhat!â
âUsually this is their spot, so theyâre surprised to see Millie and Jack who approached from south side a the tracks.â
âWhaddya mean ,âtheir spot,â I thought you said the car stalled!â
âYeah, but thatâs not very realistic. âWeâre not the Peepin Toms,â Earl Mattingly says. â You are!â Then the guys get out. Jack throws the first punch, sendin Earl fallin against his car, nose spewin blood. The girls are screamin! â Oh Earl! Oh Earl ! â â Henry Leeâs penchant for giving his people stupid voices seems to have run amok with his newest creations. âUh-oh.â Henry Lee starts the train in the distance. âUnbeknownst to themââ
âStop it.â
âYou son of a bitch,â which is Earl, followed by a weird cacophony Henry Lee rather impressively creates with the boys fighting and the girls screaming.
âSTOP IT!â I turn the train off, only aware afterward that this is the first time Iâve touched the control button because Henry Lee has never invited me to.
âWho toldju to touch my train?â That squeal again.
âNot real people.â
âThat was gonna be a perfect crash!â
âNot real people.â
Henry Lee stares at the couples, his face pouty. âOkay, not real people. After I finish this out, no more real people.â
â Not finishing it out.â
âI gotta finish what I started!â
âThen Iâm going home.â I walk over to get my books.
âO kay , I wonât crash em!â
I stare at him from a distance. âSheâs not. With him.â He looks up. âSheâs not doing it with anybody.â
âMargaret Laherty.â Sneering. âAnd you get your great knowledge from?â
âI just know.â
âYou like her.â
âNo!â
âGood, cuz I think she prefers boys wonât strain her neck to look down on during the slow dances.â
âSheâs not even two inches taller!â
âHer and Earl Mattingly ainât no fiction. Slippin the tongue, I seen em back of the football field lastââ
âSo what ?I donât like her!â
Henry Lee is pulling the red truck out of the fire station. âOh boy, what a tragedy. The fire is raging. The fire truck gets stuck at the railroad crossing, quick decision: Do they let all the people die in the burning building, or do they take the chance of beating the train and saving all the people? Oh boy!â He starts setting it up.
I want to leave. But leaving he knows he got to me. So I sit through a few more heartbreaking disasters, then tell him I need to go home, get some Hawaiâi reading in. He waves bye without looking up. When I get to the top of the stairs, Iâm surprised to see a folded piece of paper with my name on the seat of a corner chair.
25 ¢ for 2 Cities til Mon after school?
Concealed under the message are five nickels.
âRoger stopped by quick on his way to work, left that note for you.â Sally entering, going straight to the sink and opening the