man?â
âWhat are they saying?â
âNothing. Gellmanâs put the fear of God into them. I got it from Freddie Comstock, and he donât say one word more than that they had a drowning.â
âSal,â Masuto said, âhow many hookers work the Rugby Room?â
âAre you kidding! Sarge, this is a high-class hotel. We got an international reputation. We got presidents and senators going in and out of here. Thatâs no question to ask. You know that.â
âCut out the bullshit, Sal. How many? Itâs important.â
âWell, look. You donât get floozies or streetwalkers in a place like this. Itâs a different kind of a hustle. A girl works in the Rugby Room, she donât look no different from the classy broads you see on the street in Beverly Hills. Maybe she ainât no different. They got class, good clothes, rocks, and they got the looks. They make out for fifty to two notes for a quick throw, and that donât include dinner and drinks. We donât have no pimps here, Sarge, you know that. Itâs a whole other thing. They come in by twos, two girls, because Fritz wonât seat one broad alone in the Rugby Roomââ
âThey buy the ticket from you, Sal,â Masuto said coldly. âEither you talk sense to me, or Iâll bust your whole operation wide open.â
âSarge, you got to be kidding. All right, a man works the door, he depends on tips.â
âI asked you how many?â
âOkay, okay. Maybe a dozen. Then there are floaters. They drive up in a two-seater Mercedes, in a twenty-five-thousand-dollar carâwhat am I supposed to do? Be a vice squad?â
âBegin with the dozen regulars. Iâm looking for a woman named Judy, about five seven, good figure, blond hair, blue eyes.â
âThat ainât no description, Sarge. Thatâs like a uniform. Anyway, in what you call the regulars there ainât nobody called Judy.â
âShe was wearing a pants suit, light brown suede, silk shirt, gold chains, those boots they wear now.â
Monti shood his head. âIt donât register.â
âDid anyone fitting that description drive up to the hotel last night?â
âBlue eyes, blond hair, stacked-you just got to be kidding. I can name you twenty.â
âAnd the costume?â
Sal frowned and shook his head. âJesus, Sarge, when the rush comes, I see them, I write the tickets, but the clothes. Maybe yes, maybe no.â
âHow about this morning? Forget about the clothes. Did anyone fitting the description come out of the hotel?â
Monti pointed to the door of the hotel. âSarge, just watch that door, and if five minutes goes by without a blue-eyed blond broad going in or out, Iâll cut you into my take. It all comes out of the same bottle. Itâs the Beverly Hills color. If they want blue eyes, they buy tinted contact lenses. If they want to be stacked, they buy that too. You know that as well as I do.â
Masuto sighed and nodded. âAll right, Sal. Thank you.â He rose. âOne more thingâdid you see Stillman this morning?â
âNot yet, Sarge.â
âYouâd know if he called for his car?â
âYou bet.â
âWhat does he drive?â
âHe picks up a rental at the airport, usually a caddy. A yellow one this time.â
âLook in your box for the keys.â
Monti went to the key box, opened it, and stared at the rows of hooks. Then he looked at Masuto. Then he yelled, âBilly, run down the hill and see if Stillmanâs yellow caddy is still there!â
Billy took off down the hill. Monti went through the motions with the people entering and leaving the hotel, and Masuto waited in silence. Then Billy came pounding back up the hill.
âThe caddyâs gone.â
âYou made a note of the license?â Masuto asked Monti.
Monti went through his cards. âHere it