itâs sad always having to stand in shadow.â She proceeded down the wall, opening each curtain in turn. Until she stopped in front of him. âIâm Grace Owen.â She held out her hand.
Grace Owen could only improve with light and proximity. âRichard Jury.â He took her hand, cool as marble. Then he removed his identification and held it out. âScotland Yard CID.â
Her smile disappeared and it made him feel oddly sad. âYou mean Scotland Yardâs investigating Vernaâs death?â
Jury shook his head. âIâm here only at the sufferance of Chief Inspector Bannen. Itâs not my case. I just happen to be a good friend of one of your guestsâyour guest when it happened, I mean. Lady Kennington?â
âJennifer Kennington. Oh, yes. This awful business about Verna has beenâhard on her, Iâm afraid.â Speculatively, she regarded Jury, as if wondering whose side he was on. âBut sheâs back in Stratford-upon-Avon. Itâs been two weeks sinceââ She pulled a tissue from her skirt pocket and was rubbing at a spot on the statueâs arm. âThe inspector talked to everyone; what else is there to discover?â
âWhat happened.â
Again, her look seemed to be assessing the situation. âDidnât Jennifer tell you?â
Jury almost started himself to rub at a place on the statueâs other arm. âWeâve notâI havenât seen her actually, I meanâwell, police work. You know.â
Noâhe thought her look saidâshe didnât. That this detective friend hadnât gone to the trouble of at least asking Jenny what had happened . . . Jury imagined this particular guilt-trip to be one of his own devising.
But Grace Owen made no comment; she dampened the tissue with her tongue and rubbed at the arm again. It was strangely erotic. âI can tell you what I know, if you like.â She pocketed the tissue and walked over to the window. âTheyâd both gone outside, to that little woodââ She stopped. âIsnât that him? The chief inspector from Lincoln police?â
Jury joined her at the window. Bannen was standing at the edge of the trees, talking to the gardener.
âWhy is he here, anyway?â she asked.
Jury suddenly realized that he hadnât told her about Dorcas Reese. âHeâs here because he has some bad news, Iâm afraid.â Having said that, he felt he could hardly refuse to tell her. âOne of your staff, a woman named Dorcas Reese, was found in one of the canals on that National Trust property. Wyndham Fen, I think the name is. Sheâs dead.â
âWhat?â Her hands flew to her face. âThat poor girl. But how? What happened?â
Jury hesitated. It wasnât his place to supply details. âWeâre not sure. The pathologist isnât finished. Chief Inspector Bannen came to talk to you and your husband.â
âI expect he wants to ask me more questions.â
Jury nodded, relieved that âmore questionsâ didnât appear to cause her any anxiety.
She said, âWell, I expect I must go and talk to him.â
As they started for the door, Jury looked again at the bonheur-du-jour. He smiled a little, thinking. âAre the other pieces as nice as this? That your husband wants valued?â
âWhat?â Muddled, she brought herself back from the death of her servant and said, âOh, yes. I donât know all of what he says he wants to sellâhe wonât sell them, of courseâitâs all a kind of ritual he goes through when he gets bored.â They were at the door and she pointed at an escritoire. âHereâs another. Do you like antiques, then? Old rugs and things? Thereâs an Ispahan carpet in the living room thatâs apparently âof doubtful provenance,â as my husband would say.â
âDonât know a thing about