The Burglar Who Thought He Was Bogart
that the Bogart on-screen persona would tell you all you needed to know to cope with life. And who was I to say her nay?
    But I couldn’t think of anything better for Bogart to do than the course I’d chosen for myself, which was an essentially passive one. I was waiting for something to happen. Maybe Bogart would have taken the bit in his teeth and the bull by the horns and made something happen, but it seemed to me that he was most apt to do that when he had a gun in his fist. I didn’t even have my fucking attaché case. All I could lay my hands on was a coat hanger.
    Outside my door, activity seemed to have resumed, but of a different sort. They were walking about now, and carrying on an audible if incomprehensible conversation.
    And then there was a loud sound, and something or someone bumped into the closet door, and then there was silence. Seconds later a dooropened—not, thank God, the closet door, but what sounded like the front door. Then it closed. Then more silence.
    And then, finally, I heard the sound that had started the whole thing, a key in a lock. Whoever it was must have walked halfway to the elevator before deciding to come back and lock up. Maybe the afterthought was prompted by natural tidiness, or maybe the door-locker figured this way it would take them longer to discover the body.
    Because I’d played this scene before. Once before I’d ducked into a closet when somebody came home unexpectedly. That was on Gramercy Park, and the apartment was Crystal Sheldrake’s, and when I got out of her closet I found her on the floor with a dental scalpel stuck in her heart. I have stumbled over altogether too many dead bodies in the course of my young life, and maybe you get used to it, but I haven’t yet, and don’t much want to.
    And it had happened again, I just knew it. That was what had bumped into the closet door before—a body, dead as Spam, making the awkward transition from vertical to horizontal. Now it would be in the way when I tried to open the door, and I’d wind up tampering unwittingly with evidence and trying to squeeze through an opening that would have been a snug fit for Raffles.
    Or maybe the body wasn’t dead. Maybe the person on the other side of the closet door hadbeen merely knocked senseless, and would recover consciousness even as I was emerging from my refuge. A consummation devoutly to be wished, certainly—if one had to have bodies lying about, it was preferable that they be alive—but I didn’t really feel up for much in the way of human contact just now. I offered up a quick prayer to St. Dismas, the patron saint of burglars. Let the body be alive but unconscious, I implored him. Better yet, I thought, let it be in Schenectady—but maybe that was too much to ask.
    A thought came to me, unbidden, irresistible: Bogart would get the hell out of the closet.
    I opened the door, and of course there was no body there. I went all through the place, making sure; while a dead body is not something you want to run into, neither is it the sort of thing you’d care to overlook. No body, anywhere in the apartment. Two people had entered and two people had left, and one of them had stumbled against the closet door on the way out.
    The bed, neatly made up before, was a rumpled mess now. I looked at the tangled sheets and felt embarrassed for my own voyeuristic role. It had been involuntary, God knows, and I hadn’t seen anything, or made sense of what I’d heard, but I still found it disquieting to look upon the whole thing.
    Aside from the bed, you’d never know anyone had been in the place. The guy in the uniform, theJazz Age Teddy Roosevelt, still grinned dopily from the silver frame. The same clothes still hung in the closet, the same paper clips still huddled together in the leather box.
    But the portfolio was gone.

CHAPTER
Three
    A nd so, minutes later, was I. If there was any reason to hang around, I couldn’t think of it. I gave the place yet another once-over, just in
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