up.â
âJagiello!â I said. âIt moved Jagiello!â
He nodded. âYah. Heâs the key. This park was made to hold down a local manifestation of the weakness and Jagiello was put here to seal that place. Him, and the little castle there, and what you call Cleopatraâs Needle.â
Cleopatraâs Needle is a stone obelisk from Egypt, which stands on a little hill across the path northward from Jagielloâs hill, half hidden by cherry trees.
âBut some of those are modern things,â I said. âDonât you need really ancient monuments, like Stonehenge?â
âNot Stonehenge,â he said, shaking his head. âItâs a little out of whack, always was. Avebury, yah. There are plenty of newer things, too. Even when you donât know exactly why anymore, there are still people around with a good instinct for where a marker or a guardian is needed, and they put it there and say it looks pretty.
âTrouble here is, they took the weather instruments off the castle roof, which was a mistake; and the hieroglyphs that give the needle its power are almost worn off by erosion. With two down, it wasnât so hard for the kraken to shove the third out of the way. So those three that stood guard here are disarmed or lost.
âWhich doesnât have to mean something terrible, provided we can find Jagiello and get him back in position in the next few days. I can go around and fiddle up the power of some other markers you got around here, and with them he can hold the line all right. Only we got to find him.â
This stranger was going to want something from me after all. I felt disappointed, as though Iâd let somebody put something over on me. Maybe he was just a nut, a fancy nut with a great imagination and a violin.
Except he knew my Granny Gran. So I couldnât just duck out on him. On the other hand, I was not really delighted by the idea of being loaded with more stuff to do . I mean, with a working mother and me the only child, I already had my hands full a lot of the time.
âWhat have I got to do with any of that?â I said.
âYouâre mixed up in it somehow,â he said, shoving the hair off his forehead and blowing more smoke. âOr what do the Princes want with you? They belong to the kraken.â
âYou mean theyâreâmagical? Devils or something?â I squeaked.
âNo, just creeps, like you call them. They were down in the subway, looking for what they could take off the poor bums who sometimes crawl down there to sleep when itâs cold. And theyâve done worse than just stealing; you donât need to know. The kraken was naturally drawn to them, and it took them on. There are always people dumb enough to agree to that kind of thing.â
The Princes! It was way too late to get cautious, I realized. With the Princes after me, I was in this anyway, like it or not. I said, âI donât know what they were looking for, but if you hadnât come along andâandââ And what? I didnât know what to say.
He didnât smile, exactly, but the corners of his mouth twitched. âYou liked that? Pretty good, eh?â
âHow did you do it?â
âI just played good music,â he said. He was sort of twinkling at me, but still, well, serious. It was weird, in a warm sort of way. His light gray eyes looked right at me the whole time we talked, right into my eyes, which was actually uncomfortable for me. I knew his stare was friendly, wasnât a stare at all really. It was just his way of looking at a person. But I had to keep looking away.
He said, âWhat are you called?â
Which surprised meâyouâd think a magician would know your name. âTina,â I said.
He shook his head. âNo,â he said.
âNo what?â I said. âTina, thatâs my nameâfor Valentine. Mr., ahâ?â
He said something that sounded like