the beams and floor planks, looked at the stream below through a hole in the side.
Francesca snuffed out her cigarette in the ashtray, swung open the door, and put her boots on the gravel. She glanced around to make sure none of her neighbors’ cars were coming and walked toward the bridge. The sun was a hammer in late afternoon, and it looked cooler inside the bridge. She could see his silhouette at the other end until he disappeared down the incline toward the stream.
Inside, she could hear pigeons burbling softly in their nests under the eves and put the palm of her hand on the side planking, feeling the warmth. Graffiti was scrawled on some of the planks: “Jimbo–Denison, Iowa.” “Sherry + Dubby.” “Go Hawks!” The pigeons kept on burbling softly.
Francesca peeked through a crack between two of the side planks, down toward the stream where Robert Kincaid had gone. He was standing on a rock in the middle of the little river, looking toward the bridge, and she was startled to see him wave. He jumped back to the bank and moved easily up the steep grade. She kept watching the water until she sensed his boots on the bridge flooring.
“It’s real nice, real pretty here,” he said, his voice reverberating inside the covered bridge.
Francesca nodded. “Yes, it is. We take these old bridges for granted around here and don’t think much about them.”
He walked to her and held out a small bouquet of wildflowers, black-eyed Susans. “Thanks for the guided tour.” He smiled softly. “I’ll come back at dawn one of these days and get my shots.” She felt something inside of her again. Flowers. Nobody gave her flowers, even on special occasions.
“I don’t know your name,” he said. She realized then that she had not told him and felt dumb about that. When she did, he nodded and said, “I caught the smallest trace of an accent. Italian?”
“Yes. A long time ago.”
The green truck again. Along the gravel roads with the sun lowering itself. Twice they met cars, but it was nobody Francesca knew. In the four minutes it took to reach the farm, she drifted, feeling unraveled and strange. More of Robert Kincaid, writer-photographer, that’s what she wanted. She wanted to know more and clutched the flowers on her lap, held them straight up, like a schoolgirl coming back from an outing.
The blood was in her face. She could feel it. She hadn’t done anything or said anything, but she felt as if she had. The truck radio, indistinguishable almost in the roar of road and wind, carried a steel guitar song, followed by the five o’clock news.
He turned the truck up the lane. “Richard is your husband?” He had seen the mailbox.
“Yes,” said Francesca, slightly short of breath. Once her words started, they kept on coming. “It’s pretty hot. Would you like an ice tea?”
He looked over at her. “If it’s all right, I sure would.”
“It’s all right,” she said.
She directed him– casually, she hoped– to park the pickup around behind the house. What she didn’t need was for Richard to come home and have one of the neighbor men say, “Hey, Dick; havin’ some work done at the place? Saw a green pickup there last week. Knew Frannie was home so I did’n bother to check on it.”
Up broken cement steps to the back porch door. He held the door for her, carrying his camera knapsacks. “Awful hot to leave the equipment in the truck,” he had said when he pulled them out.
A little cooler in the kitchen, but still hot. The collie snuffled around Kincaid’s boots, then went out on the back porch and flopped down while Francesca removed ice from metal trays and poured sun tea from a half-gallon glass jug. She knew he was watching her as he sat at the kitchen table, long legs stretched in front of him, brushing his hair with both hands.
“Lemon?”
“Yes, please.”
“Sugar?”
“No, thanks.”
The lemon juice dribbled slowly down the side of a glass, and he saw that, too. Robert Kincaid