climbed it and vanished.”
“Shot him in the grave?” Rhyme inquired.
“Yep. There was no blood trail anywhere around the ladder or the path to the grave.”
Rhyme found himself mildly interested. But he said, “What do you need me for?”
Sellitto grinned ragged yellow teeth. “We got ourselves a mystery, Linc. A buncha PE that doesn’t make any fucking sense at all.”
“So?” It was a rare crime scene when every bit of physical evidence made sense.
“Naw, this is real weird. Read the report. Please. I’ll put it here. How’s this thing work?” Sellitto looked at Thom, who fitted the report in the page-turning frame.
“I don’t have time, Lon,” Rhyme protested.
“That’s quite a contraption,” Banks offered, looking at the frame. Rhyme didn’t respond. He glanced at the first page then read it carefully. Moved his ring finger a precise millimeter to the left. A rubber wand turned the page.
Reading. Thinking: Well, this is odd.
“Who was in charge of the scene?”
“Peretti himself. When he heard the vic was one of the taxi people he came down and took over.”
Rhyme continued to read. For a minute the unimaginative words of cop writing held his interest. Then the doorbell rang and his heart galloped with a greatshudder. His eyes slipped to Thom. They were cold and made clear that the time for banter was over. Thom nodded and went downstairs immediately.
All thoughts of cabdrivers and PE and kidnapped bankers vanished from the sweeping mind of Lincoln Rhyme.
“It’s Dr. Berger,” Thom announced over the intercom.
At last. At long last.
“Well, I’m sorry, Lon. I’ll have to ask you to leave. It was good seeing you again.” A smile. “Interesting case, this one is.”
Sellitto hesitated then rose. “But will you read through the report, Lincoln? Tell us what you think?”
Rhyme said, “You bet,” then leaned his head back against the pillow. Quads like Rhyme, who had full head-and-neck movement, could activate a dozen controls just by three-dimensional movements of the head. But Rhyme shunned headrests. There were so few sensuous pleasures left to him that he was unwilling to abdicate the comfort of nestling his head against his two-hundred-dollar down pillow. The visitors had tired him out. Not even noon, and all he wanted to do was sleep. His neck muscles throbbed in agony.
When Sellitto and Banks were at the door Rhyme said, “Lon, wait.”
The detective turned.
“One thing you should know. You’ve only found half the crime scene. The important one is the other one—the primary scene. His house. That’s where he’ll be. And it’ll be hard as hell to find.”
“Why do you think there’s another scene?”
“Because he didn’t shoot the vic at the grave. He shot him there—at the primary scene. And that’s probably where he’s got the woman. It’ll be underground or in a very deserted part of the city. Or both . . . Because, Banks”—Rhyme preempted the young detective’s question—“he wouldn’t risk shooting someone and holding a captive there unless it was quiet and private.”
“Maybe he used a silencer.”
“No traces of rubber or cotton baffling on the slug,” Rhyme snapped.
“But how could the man’ve been shot there?” Banks countered. “I mean, there wasn’t any blood spatter at the scene.”
“I assume the victim was shot in the face,” Rhyme announced.
“Well, yes,” Banks answered, putting a stupid smile on his own. “How’d you know?”
“Very painful, very incapacitating, very little blood with a .32. Rarely lethal if you miss the brain. With the vic in that shape the unsub could lead him around wherever he wanted. I say unsub singular because there’s only one of them.”
A pause. “But . . . there were two sets of prints,” Banks nearly whispered, as if he were defusing a land mine.
Rhyme sighed. “The soles’re identical. They were left by the same man making the trip twice. To fool us. And the
Arnold Nelson, Jouko Kokkonen