âthat
you
are drunk.â And she slammed the door behind her.
Perplexed, Elizabeth went over to sit on the bed. Poor Aunt Morgen, she thought, I had her brandy. Absently, she noticed that the bedside clock said a quarter past twelve.
 â¢Â â¢Â â¢
â. . . i know all about it i know all about it i know all about it dirty dirty lizzie dirty dirty lizzie i know all about it . . .â
 â¢Â â¢Â â¢
Because the next day there was proof to correct on the museum catalogue, Elizabeth, with her new letter safely in her pocketbook, did not leave the building until quarter past four, when the workmen were already engaged on the hidden structure of the building. As a result, she missed her usual bus home. When she finally came into the kitchen where Aunt Morgen sat drinking her brandy, Elizabeth saw first that Aunt Morgen had not eaten any dinner, and then she looked up into her auntâs hard stare. Wordless, Elizabeth could only hold out placatingly the box of chocolates she suddenly discovered she was carrying.
 â¢Â â¢Â â¢
Mr. and Mrs. Arrow fancied themselves as homey folk in a circle where all their acquaintance collected Indian masks, or read plays together of an evening, or accompanied one another on the sackbut; Mr. and Mrs. Arrow served sherry, and played bridge, and attended lectures together, and even listened to the radio. Mrs. Arrow was accustomed to deplore as extreme Aunt Morgenâs habit of going to the movies alone, and both Mr. and Mrs. Arrow felt that Elizabeth was allowed too much freedom; Mrs. Arrow had said as much, indeed, to Aunt Morgen when Elizabeth first went to work at the museum. âYou allow that girl too much leeway, Morgen,â Mrs. Arrow had said, making no bones about the way she felt, âa girl like Elizabeth takes more watching than one of your . . . one of those . . . that is to say, Elizabeth, you know as well as I do, takes watching. Not that Elizabethâs not
normal
.â Mrs. Arrow had stopped and lifted her eyes to heaven and spread her hands innocently, so that no one would ever believe that Mrs. Arrow meant to imply for a minute that Elizabeth was anything apart from normal, âI donât mean that at all,â Mrs. Arrow explained earnestly. âWhat I mean is, Elizabeth is an unusually sensitive girl, and if she is going to go off by herself every day for long periods of time, it would be most judicious, Morgen, most wise of you, to check
care
fully that she is always among people of the most genteel sort. Of course,â Mrs. Arrow went on, nodding reassuringly, âover at the museum theyâre mostly
volunteer
workers. I always think,â she finished, âthat itâs so
kind
of them.â
Mr. Arrow had at one decisive point of growth taken a set of singing lessons to improve his poise, and he was still very apt to sing when even very slightly invited to; Mr. Arrow customarily entertained guests with songs like âGive a Man a Horse He Can Ride,â and âThe Road to Mandalay,â and Mrs. Arrow accompanied him on the piano, pedalling furiously and occasionally humming the easy parts; âFor Godâs sake,â Aunt Morgen said to Elizabeth, pressing her finger insistently upon the doorbell, âdonât ask Vergil to sing.â
âAll right,â Elizabeth said.
âRuth,â Aunt Morgen said, as the door opened, âhow good to see you again.â
âHow are you, how are you,â said Mrs. Arrow, and Mr. Arrow, behind her in the hall and smiling largely, said âHow are you? And here is Elizabeth, too; how are
you,
my dear?â
Because the Arrows neither collected Indian masks nor patronized a decorator, they were forced to use ordinary pictures on their walls, and whenever Elizabeth thought of the Arrowsâ home she remembered the bright reproductions of country gardens and placid smooth hills
Matt Christopher, Stephanie Peters