you the sky exposes one
or two real eagles, the water
warm or marked with stones,
however you like it, blue.
from The New Yorker
HENRI COLE
Broom
A starkly lighted room with a tangy iron odor;
a subterranean dankness; a metal showerhead hanging from the ceiling;
a scalpel, a trocar, a pump; a white marble table; a naked, wrinkled
body faceup on a sheet, with scrubbed skin, clean nails,
and shampooed hair; its mouth sewn shut, with posed lips,
its limbs massaged, its arteries drained, its stomach and intestines emptied;
a pale blue sweater, artificial pearls, lipstick, and rouge;
hands that once opened, closed, rolled, unrolled, rerolled, folded, unfolded,
turned, and returned, as if breathing silver, unselfing themselves now
(very painful); hands that once tore open, rended, ripped,
served, sewed, and stroked (very loving), pushing and butting now
with all their strength as their physiognomy fills with firming fluid;
hands once raucous, sublime, quotidianânow strange, cruel, neat;
hands that once chased me gruesomely with a broom, then brushed my hair.
from The Threepenny Review
BILLY COLLINS
Delivery
Moon moving in the upper window,
shadow of the pen in my hand on the pageâ
I keep wishing that the news of my death
will be delivered by a little wooden truck
or a childâs drawing of a truck
featuring the long rectangular box of the trailer,
with some lettering on the side,
then the protruding cab, the ovoid wheels,
maybe the inscrutable profile of a driver,
and of course puffs of white smoke
issuing from the tail pipe, drawn like flowers
and similar in their expression to the clouds in the sky only smaller.
from Subtropics
PETER COOLEY
More Than Twice, More Than I Can Count
Down here, with my long wait for wings to grow
Iâm slow accepting the starsâ chart for me,
the blind track written in my sky at birth.
I have my glimpses, terrible and deep,
moments when I can see a kind of plan,
and more than twice tracing the lineaments
in one of the live oaks in City Park
New Orleans legend says were born with Christ,
or in the face of a beautiful child
or yesâwhy not say itâa flowering light
hibiscus blossoms open and then close
in sunlightâs entrance, exit through the cloudâ
say it: Iâve seen, head-on the face of God
cracked, fractured, splintered, never what I want
but mine, nevertheless and, yes, these wingsâ
sutures, at more than half a century
with me almost immeasurable in light,
itch and lift me here where blue ground meets sky.
For a few seconds I am only blue.
I have my little time in Paradise.
from Harvard Review
EDUARDO C. CORRAL
To the Angelbeast
for Arthur Russell
All that glitters isnât music.
Once, hidden in tall grass,
I tossed fistfuls of dirt into the air:
doe after doe of leaping.
You said it was nothing
but a trick of the light. Gold
curves. Gold scarves.
Am I not your animal?
Youâd wait in the orchard for hours
to watch a deer
break from the shadows.
You said it was like lifting a cello
out of its black case.
from Poetry
ERICA DAWSON
Back Matter
Semantics 2.0,
Daughter, still, of absurdities,
I like âstreet-talkerâ now. Yes, please.
Breathless with ghetto woe
(â. . . and his mama criedâ) Iâd call
Me too American, too black,
Too Negro dialect. My back
Is to your front. Iâm all
Set with my Nikes on.
*
Back: as in âgo,â sound on the tongue
Articulated, clean, clearly hung
In the aft of the mouth.
*
Back: dawn
As near is to December. I
Walk in the flakes as doctors try
To drink their coffee, yawn
In mittened hands while they
Cross MLK and I decide
To take the hill, walk farther, ride
It out this Saturday,
Cold, cocked, nothing.
And Back:
Pertaining to support; to cause
To move backward; hems, haws,
But strength, effort; no lack-
Luster labor.
*
I put
My back into it, start to sweat
And feel the
Janwillem van de Wetering