hung on the wall. Trying to find something to like about it.
She watches my gaze. âAre you interested in art?â
âI donât really know anything about it,â I say.
âI think what matters is knowing what you like.â She glances at the canvas. âYou like that?â
I look her straight in the eye. âNot really my thing.â
She bites her lip, says conspiratorially, âNot really mine, either.â
I feel us connect, briefly, kind of like a needle prick, before I get it. Sheâs smart. She hangs the ugliest painting she can find to give her common ground with everyone but the guy who painted it.
Then she really does surprise me. She puts down her pen and notebook.
âCan I say something, Ella? I get the feeling youâve done this before. Am I right?â
By âthisâ Iâm guessing she means therapy. So the dancing thingâs over already. I raise my eyebrows. âQuite a few times, actually.â
She looks puzzled. âCan I ask you why you think you need to come here?â
She says âyou.â I sit back, hearing breath drawn out in a long sigh, wonder why sheâs doing that. Then realize itâs mine.
âWell . . . Itâs complicated.â
âI have time.â
âYeah . . .â
I know she has time. Theyâre paid by the minute or something.
âItâs like this. I donât personally think I need to be here. My mother does. We donât really get on. Mothers and daughters donât always, do they?â I glance at her, but she doesnât respond. âShe thinks that a bit of psych-washing and Iâll turn into the daughter she wants me to be. No offense, by the way. But thatâs about it.â
Skipping the part about how my mother doesnât get me because I donât slot into her neat and tidy life; how her plans for my future take no account of what I want, how nothing I say interests her. How that is the measure of my worth. Thereâs more, like how even when Iâm so tired my eyes close on their own, I canât sleep, and when I do, I have these dreams. Dreams so vivid, when I wake up, itâs like theyâre real. Like I said, itâs complicated.
âI see.â
She really doesnât, but then I havenât told the half of it. Itâll take more than a crap painting before I do that.
âI ought to explain about my mother,â I add. Breaking the unwritten rule, answering questions she hasnât asked. Deflecting her while I still can. âBecause everything she and my father do is, like, a-maz-ing.â
Giving it the full benefit of its three syllables, then rolling my eyes to make sure she gets it. âThey have their amazing jobs, incredibly expensive clothes, and theyâre always traveling. . . .â
Only the problem is, Iâm supposed to be amazing too and Iâm not allowed to cut my hair and buy cool T-shirts from the market stall with Guns Nâ Roses on them.
âReally? Where do you go?â
âI said they ,â I point out, frowning. âThey donât take me with them. Half the time Iâm in school, anyway. It kind of makes sense.â
Wondering if sheâll work out the real reason, because itâs obvious. They donât want me with them.
She looks faintly shocked.
âItâs fine,â I tell her. âIt really is,â I add, because she looks as though she doesnât believe me. âAnyway, theyâre probably not the kind of holidays youâre picturing.â
âOh,â she says, like a question. Oh?
âThey go to cities, mostly. They like boutique hotels and shopping and art galleries and opera.â I add, shaking my head, âBoutique hotels . . .not my thing,â because if youâve seen one of them, youâve seen them all and because Iâd rather be lying in our garden reading a book.
âSo who looks after you?â
âGabriela, our