miles away, but she couldnât imagine why his carriage was outside her home. The coach door had opened and the man himself had emerged, tall and grandly dressed, with a grand waistline to match.
His pink face had cracked in an enormous grin, and heâd said what a pleasure it was to see her again.
Sheâd politely pointed out that sheâd never had the pleasure of making his acquaintance. Gleefully, heâd reached behind him into the coach and produced a big, black book of the kind Anna used for sketching.
The Beautiful One was written on it in what appeared to be red sealing wax. Puzzled by a visit that was growing more bizarre by the moment, sheâd looked down when heâd opened the book with a flourish, and felt as if sheâd been kicked.
The first sheet of paper showed a scene she could not mistake: her own room. The artist was quite talented. There was her old wooden chair, the side of the bathtub, her window with the curtains drawn. The artist had caught her at the moment of pinning up her hair before stepping into the waiting water. With her arms raised to her head, her small breasts appeared prominent and the curve of her waist like a marker leading the eye downward toward the shadows between her legs, just as if sheâd been a model posing for a study.
âThere are more?â sheâd managed to say, aware that the coachman could hear their conversation from his seat at the front of the coach. There were many sheets of paper underneath the first one, and more than anything, she didnât want to see what was on them.
âOf course.â The marquess had sounded puzzled. âYou posed for Mr. Rawlins. He sold them to me.â Heâd chuckled. âOr have you posed for so many artists that youâve forgotten what youâve done for whom?â
âNo!â
Rawlins had, sheâd realized as a sick chill spread through her body, obviously spied on her. She hadnât even known he was an artist. And a talented one, however unscrupulous.
A thought had come unbidden then, a shameful thought, because the pictures were so wrong and she was furious about them. But along with those strong feelings had come this: Someone had found her beautiful? Her, Dr. Bristolâs unfeminine daughter?
âI did not pose for these,â sheâd said forcefully. âIâve never seen this book before.â
âOf course you havenât,â heâd said, and winked. âMy dear girl, Iâve come to offer you a handsome fee to pose for a large painting Rawlins is doing of me. You are to be Aphrodite to my Ares. Nude, of course.â
Anna had stood speechless before sheâd gathered her wits. âYou have no right to those drawings. Rawlins spied on me. I beg you to burn that book and never speak of it again.â
âDo spare me the injured maiden act. Itâs obvious you posed for them. Iâve shown them to my friends, and I intend to display them.â
âYou canât! Iâll be ruined!â
Heâd flicked a glance at the modest cottage where sheâd lived all her life. The whitewash on the front door was peeling, and one of the windows was cracked.
âYou are thinking much too small. Why, even now youâre quite hiding yourself with that ugly coiffure and that pathetic gown. With what I will pay you for the painting, you can fix yourself up, become the toast of the art world. Your looks are unusual, and itâs easy to imagine you draped across some moss, your legs bare, like a nymphâ¦â
âStop,â sheâd whispered.
âThough I do plan to keep your name secret, Miss Bristol, until after I unveil the painting, to safeguard the mystery behind The Beautiful One . And I will pay you fifty pounds to be my Aphrodite.â
Heâd left, telling her he would be back in a month, when Mr. Rawlins would have completed the Ares portion of the painting. Even before his carriage had rolled