says.
âI thinkââthis is me, feeling my way towards a deferralââI think itâd be better if we addressed the principle first rather than the particulars.â
âMy motionâs on the table , fuck itââ
âNo, itâs not, thereâs no seconder.â
Semple looks at Marjorie. âCome on, Marge,â he says.
âAsk somebody else. I donât want to sell the baby Steinway. And donât call me Marge.â
âItâs worth more than all the rest. Itâs worth more than the entire house and garden. Itâs worth hundreds of thousands. Itâs a fucking Steinway , for Godâs sake, with art casing, I donât know how it got here in the first placeââ
The Steinway is in the corner of the Blue Room, covered in framed photographs and with a large table lamp on it. Itâs one of several items in the Residence obviously with some monetary value, though (it has to be said) not necessarily as much as Semple and Marjorie would like to think. Though they donât realise it, Iâve had it valued, and found it would bring in about fifty thousand local dollars according to when and where it was sold and by whom. Overseas, of course, it would be a different matter, sold overseas it would fetch rather more. But then one would have to get the piano overseas in order to sell it, which would cost all we might realistically sell it for once it was there. Checkmate: and, in some ways, the history of our little country in a single proposition.
Marjorie, meanwhile, is casting around for alternatives. âThat thing.â Sheâs pointing at the carved buffet behind me. âLetâs sell that.â
âThe Henri II buffet?â Julian asks. âYouâd have a job replacing that, youâd have a job getting something cheap that looked like that.â
âYouâd have a job getting it out of the house.â
âItâd have to be authenticated first,â I remind them.
âWhat about the berber rug, then?â
âNo,â I tell them. âThe berber rug is off-limits.â
Mr Sempleâs motion that the Trust sell the Steinway baby grand piano lapsed for want of a seconder .
Ms Swindellsâ motion that the Trust sell the carved buffet lapsed for want of a seconder .
Ms Swindells observes that the answer is to increase visitor numbers. Mr Semple expresses reservations .
âYou must be fucking dreaming,â he says. âHow are we going to get more of the bastards in?â
âHow many did we used to get?â Marjorie asks me. âYou know, in the good old days?â
âTwo or three hundred a month. More. Admittedly a while agoââ
âAdmittedly ten years ago,â Semple says. âWhen he was still famous. Christ, when he was still alive ââ
âYes, butââ Julian. âWeââ
âThey used to come here to get a sight of him drooling in his fucking bath chair. Ray. Thatâs the only reason they came, thatâs why we got so many people through, the old boy was still around to gob in front of them.â
âButââ
âYes, but even so, show me the literary residence in the country that ever gotââ
âHow many literary homes are thereâ?â
âShow me the literary residence anywhere ââ
âYes, butââ
ââthat has consistently made a profitâI mean a meaningful profit, not just pocket money.â
I sit back.
Marjorie squirms her mouth. âYes,â she creaks at me. âThatâs all very well, Peter, but youâre telling us yourself, dear. Youâve brought it up, youâre telling us weâve got a crisis. Item 2, Financial crisis.â
âA problem. A challenge.â
âYes, butââJulian at lastââitâs not just visitors, they donât bring in that much, for Godâs sake, they never have,