The Art of Political Murder

The Art of Political Murder Read Online Free PDF Page B

Book: The Art of Political Murder Read Online Free PDF
Author: Francisco Goldman
home of their nephew Javier, where they watched television and had a simple dinner of
plátanos
, beans, and cheese. Then the bishop drove his sister back to Candelaria, arriving there—as she was able to recall later, because she’d asked him the time—at twenty minutes before ten. They lingered in the car awhile, talking, before saying good-bye.Carmen watched her brother drive off in the direction of the church of San Sebastián. At that hour, investigators later calculated, with the streets empty of traffic—by day they were usually impossibly jammed—it was a drive that the bishop could have made in five minutes, and probably in no more than eight.
    So a few minutes before ten, Bishop Gerardi drove up Second Street and turned left into the driveway that runs between the San Sebastián complex and a tree-filled park. The complex includes, in a row, a Catholic school building, the parish house, the garage, and the church. The park is traversed by a paved walkway leading from Sixth Avenue to the raised plaza in front of the church doors. At night, the park is dark and quiet, and the neighborhood, which bustles by day, because it is so close to the downtown business area and government buildings, is mostly deserted. Shops were shuttered, offices and school buildings were empty, and the heavy wooden doors of faded residences were securely locked. San Sebastián is an old parish, dating nearly to the founding of the city in the late eighteenth century, but the church itself, which is of modest size, with two bell towers, one at each corner, was twice destroyed by earthquakes and twice rebuilt during the past century. A remnant of the colonial era, a statue of the Virgin of Sorrows of Manchén, her chest pierced by numerous swords, her pale polychrome face ethereally sad, lips parted to expel a gentle sigh of pain, stands in a side chapel.
    A dead-end side street, Callejón del Manchén, extends two blocks, between Third and Fifth streets, from alongside the church of San Sebastián to the rear of the old National Palace. At the intersections of Callejón del Manchén and Fourth and Fifth streets, guarded security gates protect the presidential residence, which is situated between them. The very wealthy and patrician President Arzú, who is descended from Spanish colonial viceroys and archbishops, was the first Guatemalan president to choose to live in his own home instead of in the presidential residence, which was being used for business and formal ceremonies. Alsoinside those gates were the headquarters of the Guatemalan Army’s Presidential Guard and the Estado Mayor Presidencial (EMP), or Presidential Military Staff. In recent decades there was probably no city block in all of Central America more forbidding or generally feared than that one on Callejón del Manchén, where the EMP and its notorious military intelligence unit, formerly known as El Archivo, were situated. The EMP and the Presidential Guard, aside from overseeing the personal security of the president and his family, sheltered, among its approximately 500 members, an elite anti-kidnapping commando unit. During the war years, there were rarely any survivors of the EMP’s interrogation and torture sessions. (According to declassified U.S. documents, Guatemalan Military Intelligence—G-2—and the Archivo, though technically separate, worked hand in hand.) Looming on the other side of Fourth Street, just outside the gates and only about 200 feet from the church, is the modern white-concrete and black-glass multistory building of the Secretariat of Strategic Analysis (SAE), a government information-gathering agency that up until 1998, at least, was also integrated into the military’s intelligence structure.
    So the church of San Sebastián is located in an interesting neighborhood, inside an Army security perimeter. The park itself, it would turn out later, when investigators and journalists
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