The Ammonite Violin & Others
dream, I have lain the bridle in the fallen leaves gathered about the base of a drinking fountain that hasn’t worked in decades, setting it a safe distance from the water, and she’s standing at the edge of the pool, waiting for me. I go to her, because I can’t imagine what else I would ever do. She takes my hand and leads me down into the cold black water. She kisses me, presses her thin, pale lips to mine, and I taste what any drowning woman might taste—silt and algae, fish shit and all the fine particulate filth that drifts in icy currents and settles, at last, to the bottoms of lakes that have no bottoms. Her mouth is filled with water, and it flows into me like ice. Her piranha’s teeth scrape against my cheek, drawing blood. She laughs and whispers in a language I can’t understand, a language that I can somehow only vaguely even hear , and then she’s forcing me down into the muck and weeds beneath the bridge. She cups my left breast in one hand, and I can see the webbing between her fingers.
    And then...
    Then we are riding wild through the midnight streets of the city, her hooves pounding loud as thunder on the blacktop, and no one we pass turns to look. No one sees. No one would dare. I tangle my fingers in her black mane, and the wind is a hurricane whisper in my ears. We pass automobiles and their unseeing drivers. We pass shops and restaurants and service stations closed up for the night. We race along a railroad track past landscapes of kudzu and broken concrete, and the night air smells of creosote and rust. I think the ride will surely never end. I pray that it will never end, and I feel her body so strong between my legs.
    Beneath the stone bridge, she slides her fingers down and across my belly, between my legs. The mud squelches beneath us, and she asks me for the bridle, stolen from her almost two hundred years ago, when she was tricked into leaving her lake. She promises no harm will ever come to me, at least no harm from her, if only I will return the bridle, a bewitched and fairie thing that is rightfully hers and which I have no conceivable use for.
    Her hooves against the streets seem to rattle the stars above us, seem to loosen them from their places in the firmament. I beg her to let the ride never end. I promise her everything, except the old bridle.
    In the fetid darkness beneath the bridge, away from the glare of the moon, her eyes blaze bright as burning forests, and she slips two fingers deep inside me. More words I can’t understand, and then more that I do, and I imagine myself crawling back to the spot where I left the bridle lying next to the broken drinking fountain. I imagine myself giving it to her.
    Her hooves are thunder and cyclones, cannon fire and the splintering of bedrock bones deep within the hearts of ancient mountains. I am deaf and blind and there is nothing remaining in the universe except her. In another instant, my soul will flicker out, and she will consume even the memory of me.
    And then I see the dead boy watching me, standing near the bridge and watching as she fucks me, or he’s watching from a street corner as we hurry past. Holes where his eyes once were, holes the hungry insects and birds have made, but I know that he can see us, nonetheless. One does not need eyes to see such things. Indeed, I think, eyes only blind a woman or a dead boy to the truth of things as terrible as the white woman leaning over me or the black horse bearing me along deserted avenues. And he is a warning, and I see him dragged down and down into depths only the kelpie can find in a knee-deep pool in a city park. The air rushes from his lungs, bleeds from his mouth and nostrils, and streams back towards the surface. I see him riding her all the way to the bottom, and I push her away from me.
    The night is filled with the screams of horses.
    And I come awake in my bed, gasping and sweat-drenched, sick to my stomach and fumbling for the light, almost knocking the lamp off the table
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