Adair?â she asked.
âPretty well,â he acknowledged, cheerfully. âYou donât sound too put out about it.â
âYou know me, RÃo. As long as my girlâs happy, Iâm happy. And sheâs doing OK.â
âWhatâs Izzy up to?â
âSheâs got herself a grand job in marketing. Howâs Finn?â
âHis father got him work as a stunt double on his latest blockbuster.â
âCool.â
âI guess. But LA doesnât suit him. Heâs making noises about going travelling again.â
Travelling solo, RÃo supposed, since â as far as she knew â her son had not had a significant other in his life since he and Adairâs daughter had gone their separate ways. When Finn and Izzy had first become an item, their Facebook albums had featured the kind of pictures that had made RÃo smile every time she browsed through them. Most of them showed the dynamic duo at work and at play as they backpacked around the world: Finn at the helm of a RIB, Izzy hosing down scuba gear; Finn signing logbooks, Izzy poring over dive plans. The pair of them together, swimming with manta rays, dancing on beaches, perched on barstools and swinging off bungee cords. The loveliest one of all (RÃo had printed it out) showed them lounging in a hammock, wrapped in each otherâs arms.
And then, once Izzy had made the decision to embark upon a real-life career, her Facebook albums had reflected this U-turn. The backgrounds of sand, sea and sky had been replaced by vistas of gleaming steel and glass edifices in front of which a well-heeled Izzy posed with the élan of Condoleezza Rice, briefcase in one hand, iPhone in the other. Finnâs pictures, by contrast, continued to show him coasting in his own groove â surfing the shallows, skimming the reefs and diving the depths off islands from Bali to Bora Bora.
There was a silence, during which, RÃo knew, Adair did not want to talk about Izzy and Finn any more than she did. It was like a bittersweet romcom, she guessed, or an Alan Ayckbourn play. It was â well . . . complicated.
âHowâs my old gaff doing?â Adair asked, finally. âIs there anyone living there?â
âNo.â
âStill no idea who bought it?â
âNot a clue. If somebody doesnât lay claim to it soon itâll go feral, like this place. Itâs already overgrown with creeper.â
âYou once told me that if you trained creeper up the walls of a house it gave it a loved look.â
âThereâs a difference between cultivating creeper and allowing weed to grow rampant, Adair.â
Adair sighed, then gave an unexpected, robust laugh. âWhat a fucking colossal waste of money that house was! Itâs funny to think that Iâll be living just a mile down the shore from that great white elephant, RÃo, isnât it? That stupid feckinâ albatross of a Taj Mahal thatââ A blip came over the line, and, before RÃo could remark on his mixed metaphors: âShite and onions!â he growled. âIncoming call, RÃo, from a man I have to see about a dog. Thanks for the recce.â
âIâll send pictures. I hope they put you off.â
âNothingâs going to put me off, Ms Kinsella. Bring on that wheelbarrow.â
âWheelbarrow?â
âFor my cockles and mussels, alive alive-o.â
â Slán , Adair.â
RÃo looked thoughtful as she ended the call. Adair was making a huge mistake â sure, didnât the dogs in the street know that? But there was no talking to him because he simply wouldnât listen. She had quizzed Seamus Moynihan, a local boatman, about the pros and cons of oyster farming, and asked him to put his thoughts in an email to her so that she could pass them on to Adair. The bulk of the email outlined the cons. As far as Seamus was concerned there were fuck all pros: in his opinion the phrase
Eleanor Coerr, Ronald Himler