Tags:
Fiction,
Literary,
General,
Fiction - General,
Terrorism,
High school students,
Mothers and Sons,
Single mothers,
John - Prose & Criticism,
Egyptian Americans,
Updike
superimposed sun-decks, rickety outside staircases to give legal access to studio apartments carved from what were once considered spare rooms. Affordable housing units are dwindling in size like pieces of paper repeatedly folded. Discarded divorcees and obsolete craftsmen in outsourced industries and hardworking people of color, grabbing for the next rung in the climb out of the inner slums, move into the neighborhood and can't afford to leave. Smart young couples fix up rundown semis and make their mark by painting their porches and gable trim and window frames outlandish colors— Easter lilac, acid green—and the splash on the block feels like an insult to the older residents, a flare of contempt, an unsightly toying. Corner grocery stores have one by one dropped away, leaving the field to franchises whose standardized logos and decors are cheerfully garish, as are the gargantuan full-color images of their fattening fast food. As Jack Levy sees it, America is paved solid with fat and tar, a coast-to-coast tarbaby where we're all stuck. Even our vaunted freedom is nothing much to be proud of, with the Commies out of the running; it just makes it easier for terrorists to move about, renting airplanes and vans and setting up Web sites. Religious fanatics and computer geeks: the combination seems strange to his old-fashioned sense of the reason-versus-faith divide. Those creeps who flew the planes into the World Trade Center had good technical educations. The ringleader had a German degree in city planning; he should have redesigned New Prospect.
A more positive and energetic person than himself, Jack believes, would be using these hours before his wife awakes and die Perspective hits the porch and the star-pricked sky above the rooftops quickens to a dirty gray. He could go downstairs and look for one of the books he has read the first thirty pages of, or make some coffee, or watch the early-morning TV news teams kid and jabber the frogs out of their throats. But he prefers to stand here and soak his empty head, too tired to dream, in the sublunar sights of the neighborhood.
A striped cat—or is it a small raccoon?—skitters across the empty street, disappearing under a parked car. Jack can't tell the make. Cars all look alike now, not like the big fins and grinning chrome grilles when he was a kid, even mock portholes on the Buick Riviera and the bullet nose on the Studebaker, the great long Caddies of the 'fifties—now, that was aerodynamic. In the name of aerodynamics and fuel economy, all the cars now are slightly fat and squat and neutral in color to hide road dirt, Mercedes down to Honda. It makes a big parking lot a nightmare, you could never find your own if it weren't for the little keyfob that flashes the lights from a distance or as a last resort blasts the horn.
A crow with something pale and long in its beak lazily flaps up from having poked a hole in a green garbage bag put out last night for collection today. A man in a suit hurries off a porch down the block and gets into a car, a chunky, gas-guzzling SUV, and roars off, never mind waking the neighbors. An early flight out of Newark, Jack guesses. He stands there staring through the chilly windowpanes thinking, Life. This is life, living in housing, gulping down grease, shaving in the morning, taking a shower so you won't disgust the other guys at the conference table with your pheromones. It took Jack Levy a lifetime to realize that people stink. When he was younger, he never smelled in his own nostrils, he never noticed that stale aroma he gives off now, just in moving quietly through the day, not even sweating.
Well, he is still alive, seeing what he sees. He supposes this is a good thing, but it is an effort. Who was that Greek, in that book by Camus they all were crazy about back at CCNY? Or maybe it was at Rutgers, among the master's candidates. Sisyphus. The rock uphill. Down it must roll. He stands there no longer seeing but pressing with his