advanced.
A year ago, McPherson had asked her to take a group of newspaper science reporters through the NPS. He chose her, he said, “because she was such a piece of ass.” It was funny to hear him say that, and shocking in a way. He was usually so courtly and fatherly.
But her shock was minor compared to the shock the reporters felt. She had planned to show them both Applications and Development, but after the reporters had seen Applications they were so agitated, so clearly overloaded, that she cut the tour short.
She worried a lot about it afterward. The reporters hadn’t been naïve and they hadn’t been inexperienced. They were people who shuttled from one scientific arena to another all their lives. Yet they were renderedspeechless by the implications of the work she had shown them. She herself had lost that insight, that perspective—she had been working in the NPS for three years, and she had gradually become accustomed to the things done there. The conjunction of men and machines, human brains and electronic brains, was no longer bizarre and provocative. It was just a way to take steps forward and get things done.
On the other hand, she opposed the stage-three operation on Benson. She had opposed it from the start. She thought Benson was the wrong human subject, and she had just one last chance to prove it.
At the end of the corridor, she paused by the door to Telecomp, listening to the quiet hiss of the printout units. She heard voices inside, and opened the door. Telecomp was really the heart of the Neuropsychiatric Research Unit; it was a large room, filled with electronic equipment. The walls and ceilings were soundproofed, a vestige of earlier days when the readout consoles were clattering teletypes. Now they used either silent CRTs—cathode-ray tubes—or a print-out machine that sprayed the letters with a nozzle, rather than typed them mechanically. The hiss of the sprayer was the loudest sound in the room. McPherson had insisted on the change to quieter units because he felt the clattering disturbed patients who came to the NPS for treatment.
Gerhard was there, and his assistant Richards. The wizard twins, they were called: Gerhard was only twenty-four, and Richards even younger. They were the least professional people attached to the NPS; both men regarded Telecomp as a playground filled with complex toys. They worked long but erratic hours, frequentlybeginning in the late afternoon, quitting at dawn. They rarely showed up for group conferences and formal meetings, much to McPherson’s annoyance. But they were undeniably good.
Gerhard, who wore cowboy boots and dungarees and satiny shirts with pearl buttons, had gained some national attention at the age of thirteen when he built a twenty-foot solid-fuel rocket behind his house in Phoenix. The rocket possessed a remarkably sophisticated electronic guidance system and Gerhard felt he could fire it into orbit. His neighbors, who could see the nose of the finished rocket sticking up above the garage in the backyard, were disturbed enough to call the police, and ultimately the Army was notified.
The Army examined Gerhard’s rocket and shipped it to White Sands for firing. As it happened, the second stage ignited before disengagement and the rocket exploded two miles up; but by that time Gerhard had four patents on his guidance mechanism and a number of scholarship offers from colleges and industrial firms. He turned them all down, let his uncle invest the patent royalties, and when he was old enough to drive, bought a Maserati. He went to work for Lockheed in Palmdale, California, but quit after a year because he was blocked from advancement by a lack of formal engineering degrees. It was also true that his colleagues resented a seventeen-year-old with a Maserati Ghibli and a propensity for working in the middle of the night; it was felt he had no “team spirit.”
Then McPherson hired him to work at the Neuropsychiatric Research Unit, designing
Hilda Newman and Tim Tate