it.
âAnd the window cleaner will be here around eleven. His money is on the kitchen counter.â
I wave back over my shoulder and walk around the side of their house. Itâs built of huge, solid bricks of grey granite that have silver- and gold-coloured seams running through. Itâs the type of stone that weathers well and the climbing roses complete the picture of an ideal country house.
I follow the winding path of stepping-stones to the bottom of the garden. Euan is an architect and he and I share a workspace. He designed it himself, soon after they moved back from London. The cabin is modern, built from Scandinavian pine, and is all soft angles. The roof is made from layers of cedar shingles that blend in with the surrounding trees and itâs pitched at an angle allowing five huge Velux windows to draw light from the sky into the rooms. There are two rooms: one we work in and the other is a guest bedroom with double bed and en suite bathroom.
I can see Euan through the side window as I walk towards the door. He is working on a barn conversion for one of the local solicitors and is standing in front of his drawing board. Heâs wearing a T-shirt with Not now Iâm busy written across the front of it, jeans and a pair of trainers.
I push open the door. Murphy barks and runs over to Euan, launching himself up on to his chest. Euan wrestles him back to the ground, rubbing his ears from side to side until Murphy barks again. Meanwhile Euanâs dog Muffin has come over to me. She is also a Labrador, a gentler, calmer version of Murphy and she pushes a ragged slipper into my hand. I take it from her and throw it across the room. She runs for it and Murphy joins her, then they settle down into their dog bed in the corner, resting their heads on each otherâs back.
Euan is swinging his arms in circles like an athlete warming up. âGood walk over?â
I nod. âItâs the best sort of day out there. So Tomâs not well?â I take off my jacket.
âTemperature, headache, up all night vomiting. What can I say?â He rubs both hands over his face. âHeâs thirteen. I thought we were past all that.â
âWhat time did you start work?â I ask him.
âAbout six.â He sits down. âAny more calls from Orla?â
I shake my head. âIâve been thinking on the walk over here. Whatâs the worry?â I hang my jacket on the stand and look to him for confirmation. His face is noncommittal. âWhy would she want to rock any boats? What could she possibly have to gain?â I check the water level in the kettle then press the switch to on. âWhat motive could she have for digging up the past? I mean really?â I let out a breath. âCoffee?â
âPlease.â
âI donât think sheâll ring again.â I look at him and he raises his eyebrows, waits. âBut if she does, Iâm going to make it clear that I donât want to hear from her. Weâre grown-up women for Godâs sake. Whatâs she going to do? Harass me? Stalk me? Shout our secret from the rooftops?â I stop ranting, sit down and look straight ahead. âYou know what? I think I overreacted.â
âWell . . .â Euan looks doubtful.
âNo, really, I do. Sheâs probably embarrassed by the whole thing andââ
He cuts in. âShe was never that easily embarrassed.â
âShe might have changed.â
âHave you? Have I?â
âChanged?â I think about it. âYes . . . and no.â
âDonât be fooled by her. You know what sheâs capable of.â
I think back to some of the lies she told and the people she hurt and I give an involuntary shiver. âDo you think sheâs intending to come back to the village?â I swallow the lump in my throat. âDo you think sheâs going to say something about Rose?â
âI donât
Kim Newman, Stephen Jones