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and Moss had kept the vigil for Ogion together, the witch had made it plain that she would be her friend, follower, servant, whatever Tenar wanted her to be. Tenar was not at all sure what she wanted Aunty Moss to be, finding her unpredictable, unreliable, incomprehensible, passionate, ignorant, sly, and dirty. But Moss got on with the burned child. Perhaps it was Moss who was working this change, this slight easing, in Therru. With her, Therru behaved as with everyone—blank, unanswering, docile in the way an inanimate thing, a stone, is docile. But the old woman had kept at her, offering her little sweets and treasures, bribing, coaxing, wheedling. “Come with Aunty Moss now, dearie! Come along and Aunty Moss’ll show you the prettiest sight you ever saw....”
    Moss’s nose leaned out over her toothless jaws and thin lips; there was a wart on her cheek the size of a cherry pit; her hair was a grey-black tangle of charm-knots and wisps; and she had a smell as strong and broad and deep and complicated as the smell of a fox’s den. “Come into the forest with me,dearie!” said the old witches in the tales told to the children of Gont. “Come with me and I’ll show you such a pretty sight!” And then the witch shut the child in her oven and baked it brown and ate it, or dropped it into her well, where it hopped and croaked dismally forever, or put it to sleep for a hundred years inside a great stone, till the King’s Son should come, the Mage Prince, to shatter the stone with a word, wake the maiden with a kiss, and slay the wicked witch....
    “Come with me, dearie!” And she took the child into the fields and showed her a lark’s nest in the green hay, or into the marshes to gather white hallows, wild mint, and blueberries. She did not have to shut the child in an oven, or change her into a monster, or seal her in stone. That had all been done already.
    She was kind to Therru, but it was a wheedling kindness, and when they were together it seemed that she talked to the child a great deal. Tenar did not know what Moss was telling or teaching her, whether she should let the witch fill the child’s head with stuff. Weak as woman’s magic, wicked as woman’s magic, she had heard said a hundred times. And indeed she had seen that the witchery of such women as Moss or Ivy was often weak in sense and sometimes wicked in intent or through ignorance. Village witches, though they might know many spells and charms and some of the great songs, were never trained in the High Arts or the principles ofmagery. No woman was so trained. Wizardry was a man’s work, a man’s skill; magic was made by men. There had never been a woman mage. Though some few had called themselves wizard or sorceress, their power had been untrained, strength without art or knowledge, half frivolous, half dangerous.
    The ordinary village witch, like Moss, lived on a few words of the True Speech handed down as great treasures from older witches or bought at high cost from sorcerers, and a supply of common spells of finding and mending, much meaningless ritual and mystery-making and jibberish, a solid experiential training in midwifery, bonesetting, and curing animal and human ailments, a good knowledge of herbs mixed with a mess of superstitions—all this built up on whatever native gift she might have of healing, chanting, changing, or spellcasting. Such a mixture might be a good one or a bad one. Some witches were fierce, bitter women, ready to do harm and knowing no reason not to do harm. Most were midwives and healers with a few love potions, fertility charms, and potency spells on the side, and a good deal of quiet cynicism about them. A few, having wisdom though no learning, used their gift purely for good, though they could not tell, as any prentice wizard could, the reason for what they did, and prate of the Balance and the Way of Power to justify their action or abstention. “I follow my heart,” one of these women had said to Tenar when