and bring his weapon into play.
The scene came alive with shots, shouts, action.
Across the channel, on the south bank, a flashlight beam blazed into being. It lanced through the dusk, sweeping along the trail Kilroy had just quitted, searching for him. It swept east along the trail where a fusillade of gunfire sounded.
The beam picked out the scene of a deadly confrontation. A band of armed men maybe a dozen strong materialized on both sides of the creek about twenty yards east back of where Kilroy had left Raynor.
Ambushers!
Raynor’s cry of pain when he had fallen earlier must have alerted the troops scouring the riverbank to the west. They’d sent an advance guard east into the valley to close it off.
Now they were in motion, sealing the trap. But they’d moved too soon, alerting Raynor, who opened fire on them.
Raynor stepped out into the open on the north bank, facing east. He stood swaying, holding the butt of the M-16 braced against his right hip, firing it one-handed at the soldiers charging at him on his side of the channel.
A round tagged a Nigerian trooper in the middle, chopping him down. Several more rushed forward to take his place, firing wildly. Their assault rifles were on autofire, racketing like jackhammers.
Raynor pumped out single shots from his M-16 into them, one by one.
Another soldier shrieked and fell sideways, toppling off the bank and falling into the water with a splash.
Troopers on the far side of the creek opened fire on Raynor. Raynor’s form jerked and shuddered as rounds ripped into him.
He turned toward them, squeezing off more shots. His weapon fell silent—out of ammo. Empty.
Muzzle flares sparked on both sides of the creek as more ambushers got Raynor into their sights, streaming lead into him.
He jerked this way and that as the slugs impacted him. The M-16 fell from his hand. He fell to his knees, head bowed.
There was a lull in the shooting as three troopers closed on him. The flashlight beam fell on the tableau like a spotlight, illuminating it.
One of the Nigerians wielded a panga, the local equivalent of a machete. With a wordless shout of triumph he raised it high over his head, swordlike blade poised for a vicious decapitating downstroke.
Kilroy, now free of the weblike vines that had netted him, thrust the muzzle of his assault rifle through the bushes and shot the panga wielder.
The meaty thud of a round drilling flesh was accompanied by the sight of the panga man falling over backward out of sight.
Kilroy’s shot suddenly set the west side of the valley boiling with the figures of a horde of armed men pouring into it, racing east along both sides of the channel. They were part of the main body of the troop column, of which the dozen ambushers east of Raynor had been an advance guard.
Many booted feet stamped and thundered over the ground in double time. Branches broke and brush rustled as hidden lurkers poured out of their places of concealment.
Where Raynor knelt, the panga wielder had been closely trailed by a pair of riflemen. They had fallen back in alarm as their fellow had been cut down by Kilroy’s snap shot. Recovering from the sudden fright, they now swung their rifle muzzles toward Kilroy.
Raynor’s good right hand moved, drawing his 9mm Beretta from its holster and firing into the duo looming over him. The pistol barked, its muzzle flares underlighting the agonized faces of the two troopers as bullets opened up their middles.
The remnants of the advance guard, seven shooters, all let rip at once at Raynor. Slugs poured into him, shredding him ragged.
Raynor fell down dead.
The flashlight beam now swept west over the trail, searching for Kilroy. The light was held by a trooper on the other side of the channel not far opposite from Kilroy. Several riflemen were grouped around him, ready to open fire when the beam picked out Kilroy.
Kilroy shot first, firing in the prone position from behind a fallen log. A howl of pain sounded from
Rick Bundschuh, Cheri Hamilton