surfaced like an iceberg and savaged the person who had hurt
Talker—but he‟d never actually seen his lover in a black fury.
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He couldn‟t have given himself away if someone stepped on
his toe. He had to see what Brian did next.
“Brian, nothing against the guy—”
Talker‟s breath turned to a brick in his lungs as he heard the
thump and rattle of a slight man being shoved against an empty
pottery rack. “You say one more word about him,” Brian said softly,
“and you can forget the show, you can forget my pieces, you can
forget the whole damned thing. I‟ll go back to the Olive Garden and
go back to sculpting on my kitchen table, do you hear me?”
“Okay,” Orenbacher said, making an admirable attempt at
dignity. “Fine. I get it. Throw yourself away on a skinny punk with a
tattoo fetish and enough metal to—”
“Fuck off, Mark,” Brian said coldly. Talker watched Brian
appear in the doorway again and then disappear. He was going
back to where pieces were stacked after their first trip through the
kiln. He couldn‟t see what Brian was doing there, but he heard a
rustle, like a tarp being pulled back, and he watched his gentle, kind
lover give a glare over his shoulder that would have sent Talker
screaming into the next year.
“You want to see who he is to me? You keep being shitty
about him, and you won‟t listen to my words. I suck at words. The
only one I can ever talk to is him. But I‟m good with clay. If this is
the only way you‟ll listen, then listen. You and me will never
happen. But this is the boy you keep talking trash about, and you
need to know why I can‟t let it stand.”
Mark moved slowly, stiffly, through Talker‟s field of vision, like
Brian had really hurt him when he‟d been thrown up against the
empty pottery rack. He moved to where Brian was standing and
Talker heard the softly indrawn breath that indicated true shock and
praise.
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“That‟s beautiful,” he said quietly, and Talker let out a breath
he hadn‟t known he‟d been holding. “That‟s him?”
“The fact that you have to ask means you haven‟t been
looking,” Brian replied. His hand stretched out to the thing they
were both looking at, and Tate recognized that angle of his fingers,
the softness of his jaw—it was an expression, a touch, that Brian
had only ever aimed at Tate.
“Okay, Brian,” Mark said, his shoulders slumping. “I can‟t say
I‟m not disappointed—I think we would have made a real good
team here. But you‟re… you‟re brilliant. I‟ve loved art all my life; I‟d
be a real asshole if I took away your big break. Just… you know. If
this,” he gestured toward the hidden object, “isn‟t who your boy
really is, you know. Remember there‟s this old guy with a lot of
money who would love to take you in.”
Brian‟s look eased up a little. “Don‟t need money,” he said,
covering up the thing they‟d been looking at. “Lived without money
my whole life. I need Talker, though. Didn‟t really live until he saw
me.”
Talker‟s heart stopped. He held his hand up to his mouth and
blinked hard, wishing he had a hole he could cry in or a church that
would take him in or a holy place he could give offerings to—oh,
Brian.
You’ve been trying to make me believe this for three years,
haven’t you?
Talker hadn‟t believed. He thought he had. He‟d let Brian
touch him in their bed, stood up for him when he couldn‟t stand for
himself, come to trust that Brian would always be there for Tate if
he could ever possibly could….
But he‟d always suspected a grain of pity there. That maybe
Brian was settling. He‟d confessed it shyly to Doc Sutherland, his
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30
shrink and his friend, in one of their one-on-one sessions, when
Brian had been at class. Doc Sutherland had told him that he‟d
never seen anyone more