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and stretched out to get it.
    It was a small black-and-white photograph, showing a grave in a cemetery in wintertime. He didn't recognise the cemetery. There was a headstone on the grave and most of the inscription on it was fairly clear. A woman's name was carved there. AUDUR. No second name. Erlendur couldn't see the dates very clearly. He fumbled in his jacket pocket for his glasses, put them on and held the photograph up to his nose. 1964—1968. He could vaguely make out an epitaph, but the letters were small and he could not read it. Carefully he blew the dust off the photo.
    The girl was only four when she died.
    Erlendur looked up as the autumn rain thrashed against the windows. It was the middle of the day but the sky was a gloomy black.

6
    The big lorry rocked in the storm like a prehistoric beast and the rain pounded against it. It had taken the police some time to locate as it wasn't parked where Holberg lived in Nordurmýri, but in a car park west of Snorrabraut, by the Domus Medica health centre, several minutes' walk from Holberg's home. In the end they had made a radio announcement asking for information about the lorry's whereabouts. A police patrol had found it at about the same time that Erlendur and Sigurdur Óli left Holberg's flat with the photograph. A forensic team was called out to comb the vehicle for clues. It was an MAN model with a red cab. All that a quick search revealed was a collection of hardcore pornographic magazines. It was decided to move the lorry to CID headquarters for further investigation.
    While this was going on, forensics got to work on the photograph. It transpired that it was printed on Ilford photographic paper, which was used a lot in the 1960s but had long since been discontinued. Probably the photograph had been developed by the photographer himself or by an amateur; it had begun to fade as if the job had not been done very carefully. There was nothing written on the back and there were no landmarks by which to determine the cemetery in which it had been taken. It could be anywhere in the country.
    The photographer had stood about three metres from the headstone. The shot was taken more or less directly in front of it; the photographer must have had to bend his knees unless he was very short. Even from that distance the angle was quite narrow. There was nothing growing near the grave. A powdery snow lay on the ground. No other grave could be seen. Behind the headstone, all that was visible was a white haze.
    Forensics concentrated on the epitaph which was largely indistinguishable because the photographer had stood so far away. Numerous reproductions were made of the photograph and the epitaph was enlarged until every single letter had been printed out on A 5 paper, numbered and arranged in the same sequence as on the headstone. They were coarse-grained pictures, hardly more than alternating black-and-white dots that created nuances of light and shade, but once scanned into a computer the shadowing and resolution could be processed. Some letters were clearer than others, which left the forensic team to fill in the gaps. The letters M, F and O were clearly discernible. Others were more difficult.
    Erlendur phoned the home of a department manager from the National Statistics Office who agreed, cursing and swearing, to meet him at the offices on Skuggasund. Erlendur knew all the death certificates issued since 1916 were housed there. No-one was in the building, all the staff having left work some time before. The department manager pulled up in his car outside the Statistics Office half an hour later and shook Erlendur's hand curtly. He entered a PIN in the security system and let them into the building with a card. Erlendur outlined the matter to him, telling him only the bare essentials.
    They looked at all death certificates issued in 1968 and found two in the name of Audur. One was in her fourth year. She had died in the February. A doctor had signed the death certificate