all laid out mama
But my soul can't get no rest
My body's all laid out mama
But my soul can't get no rest
Cause you'll be sportin with another man
Lookin for some old Mr. Second Best
Plain folks got to walk the line
But the Devil he can up and ride
Folks like us we walk the line
But the Devil he can up and ride
And I won't never have blues enough
Ooh, to keep that Devil satisfied.
When I was done it was black dark and the crickets was zinging and everything was changed.
"You can sure get around this country," I said, "Just a-sitting on your ass."
I was in a cane-back chair on the porch of a little wooden house, with bugs smacking into an oil lamp over my head. Just an old cropper place, sitting in the middle of a cotton field, but it had been spruced up some. Somebody had swept the yard clean, from what I could see of it, and on a post above the dipper was a couple of yellow flowers in a nailed-up Chase & Sanborn can.
When I looked back down at the yard, though, it wan't clean anymore. There was words written in the dirt, big and scrawly like from someone dragging his foot.
DON'T GET A BIG HEAD JOHN
I'LL BE BACK
Sitting on my name was those two fat old hound dogs. "Get on with your damn stinking talking serves," I yelled, and I shied a rock at them. It didn't go near as far as I expected, just sorta plopped down into the dirt, but the hounds yawned and got up, snuffling each other, and waddled off into the dark.
I stood up and stretched and mumbled. But something was still shifting in the yard, just past where the light was. Didn't sound like no dogs, though.
"Who that? Who that who got business with a wore-out dead man?"
Then they came up toward the porch a little closer where I could see. It was a whole mess of colored folks, men in overalls and women in aprons, granny women in bonnets pecking the ground with walking sticks, younguns with their bellies pookin out and no pants on, an old man with Coke-bottle glasses and his eyes swimming in your face nearly, and every last one of them grinning like they was touched. Why, Preacher Dodds woulda passed the plate and called it a revival. They massed up against the edge of the porch, crowding closer in and bumping up against each other, and reaching their arms out and taking hold of me, my lapels, my shoulders, my hands, my guitar, my face, the little ones aholt of my pants legs--not hauling on me or messing with me, just touching me feather light here and there like Meemaw used to touch her favorite quilt after she'd already folded it to put away. They was talking, too, mumbling and whispering and saying, "Here he is. We heard he was coming and here he is. God bless you friend, God bless you brother, God bless you son." Some of the womenfolks was crying, and there was Ezekiel, blowing his nose on a rag.
"Y'all got the wrong man," I said, directly, but they was already heading back across the yard, which was all churned up now, no words to read and no pattern neither. They was looking back at me and smiling and touching, holding hands and leaning into each other, till they was all gone and it was just me and the crickets and the cotton.
Wan't nowhere else to go, so I opened the screen door and went on in the house. There was a bed all turned down with a feather pillow, and in the middle of the checkered oilcloth on the table was a crock of molasses, a jar of buttermilk, and a plate covered with a rag. The buttermilk was cool like it had been chilling in the well, with water beaded up on the sides of the jar. Under the rag was three hoecakes and a slab of bacon.
When I was done with my supper, I latched the front door, lay down on the bed and was just about dead to the world when I heard something else out in the yard--swish, swish, swish. Out the window I saw, in the edge of the porch light, one old granny woman with a shuck broom, smoothing out the yard where the folks had been. She was sweeping it as clean as for company on a Sunday. She looked up