Charleston and the Lindy Hop, the waltz and the fox-trot.
I had often gone to school dances with my friends, wherewe were asked to dance by boys we didnât like. We accepted anyway and spent the time looking over their shoulders at the boys we longed to have ask us, but who never did. Nevertheless, I enjoyed dancing. Iâd learned how to waltz along with everyone else as part of the physical education requirement in school. Once I was paired up with Scott Hampton, one of the handsome boys I contemplated from afar. I didnât want the song to end. I wanted to go on feeling what it was to have my hand on his shoulder, his arm around my waist, our other hands meeting palm to palm as we slid around the freshly waxed gym floor. Scott Hampton had never spoken to me before, and he didnât speak to me even then, but that was all right. While the song lasted I could pretend he had asked me out to the floor, that the look on his face had been one of delight rather than agony when my name was called with his.
A portable phonograph sat on the edge of the stage and, curious, I went to it. It was a big wooden box of a player, an RCA Victrola that looked brand-new, a far cry from the old gramophone back in our Edgecombe Court apartment that pumped out scratchy music through an ancient morning-glory horn. I looked at the record on the turntable. Viennese Waltzes. Perfect.
I turned the knob and lowered the needle. I shut my eyes, raised my arms, and imagined myself in Scott Hamptonâs embrace. I began to twirl, slowly at first, but then more rapidly, knowing the whole room was mine. Alone yet not alone, I moved with my imaginary lover in wide circles around the floor.
Oh, Scott! Oh, darling! You dance divinely. . . .
Oh! With a jolt, I found myself tumbling face-forward andlanding with a thud on the floor. Iâd backed into someone or something, but I couldnât imagine what. Stunned, I shook my head and pulled in a deep breath. I let the air out in a quiet moan as I turned over and sat.
An extended hand slipped into my field of vision. When I looked up, I fell back on one elbow and stifled a scream. Marlene had been telling the truth. The red-eyed devil was standing over me, looking for all the world as though he was ready to pounce.
Chapter 4
T he attack I was bracing against didnât come. Instead, the red-eyed devil withdrew his hand and straightened his back. âAll right, then,â he said, a hint of annoyance in his voice, âyou can just get yourself up.â
My muscles relaxed, except for those between my eyes that pulled my brow into a frown. âI . . .â
âYouâre not hurt, are you?â
âUm, no, I donât think so. Iââ
He lifted his chin and started to move away. I knew what he was, but Iâd never seen one before and I hadnât expected to see one now. Thatâs what startled me. I pushed myself up from the floor.
Abruptly, he swung around. âJust who are you anyway? And what are you doing here in the ballroom? Itâs off-limits during the summer season, you know. You can do your dancing on the island like everyone else.â
âListen,â I said, âIâm sorry. Iâm Eve Marryat. I just came in here because I couldnât sleep andââ
âOh yeah,â he said. âI know the name.â He noddedslightly, the dim light in the room illuminating his pale skin, his stark white hair. Combed straight back without a part, his hair was a ghostly halo on top of his narrow face. Central to that face were the two crimson eyes, glowing like rubies on a bed of lambsâ wool. He wore a washed-out gray shirt that was several shades darker than his skin and a pair of weathered denim pants held up with black suspenders. It was hard to tell, but I guessed him to be a few years older than I was.
When he didnât go on, I said, âIâm Cyrusâs niece.â
âYeah.â He
et al Phoenix Daniels Sara Allen