Supernatural Noir
lights off. Sitting here waiting for what’s next.
    Joe always says I never think ahead, that I only use my lizard brain. Right. He’s a thirty-year-old painter who doesn’t sell any paintings. But he’s really a busboy at some restaurant over by Clark U, a trendy place that just opened and will probably close within the year. He cleans tables and gets no tips from the rich college kids and their yuppie professors. Joe has two maxed-out credit cards and lives with a between-jobs girlfriend and her five-year-old kid in a one-bedroom apartment. So much for thinking ahead, Joe. I’m the one pointed somewhere with both hands on the goddamn steering wheel.
    My window is down when it doesn’t need to be. There’s nothing that I can’t see from behind the glass. Mike asked me to do it. He said pretty please before leaving the SUV and going inside.
    Goddamn, it’s cold out. Didn’t wear the right clothes for this. Just a brown flannel and some black jeans, steel-toed boots laced to the ankle. No jacket, and I left my black hoodie at the apartment. If that’s my only fuckup, we’ll be okay. Winter is coming early. The black gloves don’t keep my hands warm. I take my hands off the wheel and rub them together, then I slouch into the seat.
    Gunshots. A quick burst of two. I think. Then a third, after a pause long enough to be uncomfortable for everyone. The shots are all muffled, coming from inside the pawnshop, but still, somehow, they sound like city-sized phonebooks hitting the floor after a big drop. There weren’t supposed to be any gunshots. Gunshots mean big trouble. There wasn’t supposed to be any big trouble.
    I suddenly have to go to the bathroom even though I did what Henry said and skipped my morning coffee. I stop breathing so loud. I can’t see anything through the pawnshop’s cage-covered windows. Still alone in the SUV and in the empty lot, I shift from park to drive. My foot is heavy on the brake, and I put my hands back on the wheel where they’re supposed to be. Ten and two.
    The back door flies open and they all come running out at once, a group of shadows, arms and legs everywhere. No one shouts; they’re not dumb enough to be human alarms, but they hiss and whisper orders at me, their humble driver, subtle shit like “Go, go, go,” and “Let’s get the fuck outta here.”
    Yes, sirs. I calmly roll up my window and watch them in the rearview mirror, everything happening slow and fast at the same time. They’re circus clowns going backwards, getting into the car instead of jumping out. Mike sits his heavy ass in the seat behind me, shaking the car. Greg slides in on the other side and rips off his ski mask like it’s burning him, and he throws it on the car floor. He better remember to pick that up later and dump it. Greg isn’t exactly known for paying attention to the details, for paying attention to anything. He shouldn’t be on this job at all, never mind getting to go inside. Yeah, he grew up on the same street as us, but he’s loose with everything, you know? Christ, he was just fired from his bartending gig at Irish Times because he was caught skimming on back-to-back nights. Henry was nuts to use him, but you can’t tell Henry anything. It’s his show. And Henry, his ski mask is still pulled over his ham-sized face. He throws the duffle bag in the trunk, jumps in after it. I take my foot off the brake, start inching forward, still watching Henry, and he kind of flickers in the shadows. He pulls his little jerry-rigged rope and shuts the tailgate behind him.
    I roll out of the pawnshop’s rear lot, and they’re all yelling at me. Mike actually says, “Step on it, Danny.” Christ. I turn around to say something smart-ass, something to calm everyone the fuck down, because the truth of it is, them all yelling go-go-go has got me on tilt. So scared I feel it in my fingers and toes and my tightening chest. Mike cuffs me in the ear with an open hand, turns me back around. My head
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