forgotten her. We could make a ton of money.â
I didnât know what to say.
The anniversary of her death.
We had been through the anniversary of my dadâs and Benâs deaths a few weeks ago and it was horrible. All day long, I couldnât stop thinking about what had been happening at that time the year before. When they got in the car. When I found out what had happened.
Leo reached into the pocket of his peasant pants and pulled out a piece of paper. âHereâs a map Iâve made of possible tour sites,â he said, spreading it out. âThe trick is that we canât drive, so everything has to be in walking distance.â
I remembered that Leo didnât actually
know
Lisette. She had been gone for a long time.
And this way at least she would be remembered.
It would be horrible if people just forgot you.
âWeâre going to wear either our work costumes,â he said, âor all black. I canât decide. I had the idea for the tour a couple of days ago so I still havenât worked everything out.â
âGary wonât be happy if he finds out weâre wearing our costumes outside of the festival,â I said after a second. Was Igoing to go along with this? I kept talking, like my mouth had decided to go ahead without me.
âYou make a good point,â Leo said. âOkay. Weâll wear all black.â He tapped the paper with his finger. âAs far as the sites go, we have the theater, of course, where she performed. We also have the hospital where she was born, and the hotel where she died, and the cemetery where sheâs buried. Itâs too bad that they tore down the house where she grew up.â
âWait,â I said. âThe hospital is new.â
âIâm talking about the old hospital. Itâs still around.â
âThatâs cool,â I said, picturing something old and overgrown with vines. âWhere is it?â
âTwo streets away,â he said. âThe Everett Building.â
âThe insurance office?â
âYup.â
âThatâs all youâve got?â I said. âFour sites?â
Leo wasnât paying attention. âWhat would be great is if we could go through the tunnels.â
âWhat tunnels?â
âThere are tunnels that run under the administration building and go to the theater,â he said, dropping his voice as if he were telling me a secret. I glanced over my shoulder but the only people around were the ones in the portraits. âThey built them years ago so the actors could get from the dressing rooms in the basement of the administration building out to the theater without being seen by the people in the courtyards. And thereâs someold maintenance tunnels, too, that they donât even use anymore.â
âWhy would we want to go into the tunnels?â I asked.
âBecause Lisette would have gone through them all the time,â Leo said. âAll the actors use them. They have for decades.But when they tear down the theater, theyâre getting rid of those tunnels too. This is our last chance to see them.â
âPeople arenât going to let kids into the tunnels.â
âMaybe we can find a way,â Leo said. âFor now, we have the other four places. And theyâre all within walking distance of each other and of our houses. Itâs perfect. Iâve done a lot of research about Lisette so I can fill you in. And Iâve come up with some advertising.â He leaned closer. âThatâs another reason I want to do the programs. I can put these flyers inside without Gary or anyone noticing.â He handed me a piece of shiny paper printed with a picture of Lisette Chamberlain. The lettering on the flyer read:
LISETTE CHAMBERLAIN TOUR. FOLLOW IN HER FOOTSTEPS & LEARN ABOUT HER LIFE. FOR MORE INFORMATION
CALL 555-1234 between 9 a.m. and 12 p.m.
$5 per person, cash only.
âThis is crazy,â I