exception of the tie rule, which was gone courtesy of Williams. Card playing was still out. The first team lecture was, as far as anyone could tell, primarily about pipe smoking. Billy Hitchcock, the utility infielder, was the only pipe smoker on the team, and he spent much of the season trying to smoke it on the team train when McCarthy was not looking. Once, thinking the manager had gone to bed, he tried to smoke in the small antechamber of the men’s room on the train. McCarthy walked in. Hitchcock hid the pipe by cradling the bowl in his hand. Usually McCarthy’s visits were brief and his tone curt. But this time he lingered. He was friendly, almost garrulous. Hitchcock’s hand got hotter and hotter. Still McCarthy lingered. Hitchcock thought he was going to scream. Finally McCarthy left. Hitchcock was sure he had known about the pipe and had enjoyed squeezing him.
How then to please this gruff old man who sat there allday long saying little, chewing his gum endlessly (and sticking the used gum under the bench where he sat—a McCarthy trademark)? Whom did he like? What did he like? The Red Sox regulars spent much of 1948 trying to figure him out.
For one thing, he liked hustle. He liked toughness. He liked Billy Goodman, the versatile infielder and spray hitter who played first base in 1948. Indeed, McCarthy even said that his mistake, which had cost Boston the pennant, was in not seeing that Goodman was his first baseman until a quarter of the season had passed. He liked Matt Batts, the backup catcher. Batts had been a long shot to make the team in 1948, but Charlie Berry, who had been umpiring some Boston games in spring training, came over to Batts and said, “Hey you, Batts. You want to make this team?” Batts said yes, indeed he did. “Here’s what you do, kid. You’ve got a good arm and you’re throwing hard in infield practice, and I know old Joe McCarthy and he loves it. You keep doing it. You throw even harder. I’m watching McCarthy, and every time you do that his eyes light up and he chews that gum a little faster.” After that, during the drills Johnny Pesky would complain that Batts was throwing so hard that it was hurting his hand. But Batts paid him no attention; he just threw harder.
Some of the veterans felt that McCarthy looked down on them, that he believed he had inherited a team where the players were too soft, and it was his job to be tougher. With the Yankees, he had been careful never to criticize his players in front of each other; now there was a sense that his patience was being strained. One day when Wally Moses, one of the reserve Boston outfielders, was on the trainer’s table being worked on, McCarthy asked what was wrong. “I’ve got a stiff neck,” Moses said. “Probably got it in some fancy air-conditioned bar,” McCarthy said acidly, for in those days an air-conditioned bar was something for the elite. “Skip, with the money they pay me, I can’t affordto go to any of those. I got it in a movie theater,” Moses said.
Some of the pitchers felt that McCarthy was too old-fashioned. According to them he did not understand the changing nature of the game and the importance of relief pitching. He came from a generation, they thought, where if the pitcher was a real man, he would pitch all nine innings. A bullpen in that era was less important, and the men who pitched out of it were not considered specialists who had a particular skill suited to a few innings of late relief work. Rather they were pitchers not quite good enough to be starters. In the spring of 1948 the Boston writers asked McCarthy whether Earl Johnson, who had been at different times in his career a starter and a reliever, would be a starter for him. “He doesn’t throw hard enough to be a starter for me,” McCarthy said, and it was a revealing moment. He had admitted a player was consigned to the bullpen because his arm was not that strong. On the Yankees, by contrast, the hardest-throwing pitcher on