was sure none of that was going to happen, he sat down and started shoveling food in so fast I couldnât believe he had time to swallow.
âThat damn McCarthy was here again today,â he said between bites.
âAgain?â I asked. Heâd recently been talking about this guy a lot. Senator Joseph McCarthy was some freaky congressman in the â50s who went around trying to prove that artists, actors, and musicians were all communist spies for Russia. No matter what I said, Gramps refused to believe that the guy died in 1957. At first it had been weird the way he always went on about him, but after a while it got kind of fun. So now I played along with it.
âDo you think heâs on to you?â I asked.
âHa! Iâm no commie, and certainly no spy.â He stirred his beef stew around a little bit, then looked back at me fiercely. âIâm a socialist! But the distinction between a commie scum and a thoughtful socialist is far too difficult for an ignoramus like McCarthy to grasp.â
I couldnât really figure out the difference either, but I still played along. âThatâs the truth,â I said.
Gramps was getting more worked up now. âLast I checked, this was still a free country!â
âI donât think you have to worry about him, Gramps.â
He placed his fork on the side of his nose and gave me a wink. âDamn right.â When he took the fork away, there was a blob of gravy on the side of his nose. Then he frowned. âWhat about you?â
âMe?â
âHave you covered your tracks?â he asked, looking worried. âI canât have my own grandson in prison!â
âGramps, Iâm not a commie
or
a socialist.â
âHa! You think that matters to scum like McCarthy? He and his kind despise musicians. They canât comprehend living a life of creativity and individualism! They try to turn anything you do into some kind of anti-American statement.â
âReally, Gramps,â I said. âI donât think itâs a problem.â
He didnât look very convinced. Finally, he said, âWell, tellme what your set list is right now. Thatâs usually where they start looking, to see what kind of songs youâre playing.â
I told him the set list we were working on.
âI donât recognize any of those songs,â he said.
âThatâs because I wrote them.â
âWrote?â He blinked in confusion. âWhy? Canât you play anyone elseâs songs?â
âSure we could.â
âThen why are you writing your own? Only people who canât play the standards have to make up their own songs.â
âThatâs not how it is anymore, Gramps. Most people play their own music.â
âThatâs ridiculous! Are you telling me that at your age, youâre writing better songs than the Duke? Than Bird? I love you, kid, but somehow I think youâve got a few more years before youâre ready for that.â
âGramps, nowadays you only play other peopleâs music if you canât write your own.â
âAn entire generation of arrogant hacks.â He sighed. âLet me tell you something, kid. In all my years in clubs and bars, on cruise ships, and in festivals and concert halls, I was never forced to play anything that I had to
make up
.â
âI know, Gramps,â I said. There didnât seem to be much point in arguing with him. He wasnât even listening.
âSo.â Gramps gazed balefully down at me, his old eyes wide and a little wild. âWhen are you getting married?â
Like clockwork. Music and girls. The only things he could think about.
âGramps,â I said, âIâm only seventeen.â
âSO WHAT? When I was your age Iâd already met the love of my life. Your grandmother. Vivian . . .â He sighed and his eyes went unfocused. âYou donât remember her, do